Arcangelo Corelli


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Related to Arcangelo Corelli: Domenico Scarlatti

Corelli, Arcangelo

(ärkän`jālō kōrĕl`lē), 1653–1713, Italian composer and violinist. Famed for his virtuosity and his elegant style of composition, he spent most of his life in Rome, where he was court violinist to Cardinal Ottoboni. His violin technique was perpetuated by his many students and in his sonatas for violin with harpsichord, among which is the well-known set of variations on the air La Follia. He also helped to establish the typical form of the concerto grosso (see concertoconcerto
, musical composition usually for an orchestra and a soloist or a group of soloists. In the 16th cent. concertare and concertato implied an ensemble, either vocal or instrumental.
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).

Bibliography

See M. Pincherle, Corelli: His Life, His Work (tr., 1956).

Corelli, Arcangelo

 

Born Feb. 17, 1653, in Fusignano; died Jan. 8, 1713, in Rome. Italian violinist, composer, conductor, and teacher. Founder of the Italian school of violin.

Corelli wrote ensemble and solo works for violin, trio sonatas (four collections, published 1681–94), sonatas for violin and bass (published 1700), and concert grossi (published 1714). His sonatas were models for the concert violin style, and his concerti grossi played an important role in the formation of classical orchestral music. In his works, Corelli often drew upon folk dances and songs. His playing was characterized by contemporaries as brilliant and expressive. Corelli’s pupils included the Italian violinists P. Locatelli and G. Somis.

REFERENCES

Kuznetsov, K., and I. lampoPskii. A. Korelli. Moscow, 1953.
Rinaldi, M. A. Corelli. Milan, 1953.
Pincherle, M. Corelli et son temps. Paris, 1954.
References in periodicals archive ?
203) and refers to Alessandro Scarlatti, Bernardo Pasquini, and Arcangelo Corelli as the "only three composers to have been ever admitted to the Academy of Arcadians" (p.
It is generally known that large parts of Handel's own pre- existing works were incorporated into the "Messiah." What is not widely recognized is that two portions of the work, including the famous "Hallelujah" chorus, were taken (uncredited) from the works of two other composers: Johann Caspar Kerll and Arcangelo Corelli.
THE Newcastle-based Avison Ensemble begins a summer celebration of the music of Italian composer Arcangelo Corelli with a concert on July 3 called Roman Jewels 1: Corelli Trios.
The evening titled ''Sequences and Concertos from the Barouck Era was held in cooperation with the Dutch Organization for International Cultural Cooperation, the Dutch embassy and the Higher Music Institute.The program included pieces by prominent music composers in the Barouck era (1600-1700), mainly Arcangelo Corelli, Antonio Vivaldi and George Phillip Telemann.
And Handel obviously mirrored what one of his great role-models, Arcangelo Corelli, had already written in 1712 as part of the set of concerti grossi for string orchestra he published as his Opus 6.
Among the composers included are Arcangelo Corelli, and one of the sonatas to be played is Tartini's Devil's Trill.
His own musical history is impeccable, as one of a line of teachers stretching back directly to Arcangelo Corelli in the late 17th century.
Miriam Mahdaviani, another choreographer who had danced in the corps, was represented among DP revivals with Correlazione (1994), a genial work to Arcangelo Corelli that contrasted neoclassic angularity with baroque orderliness.
Dr David Mitchell, the new chairman of the Stirling Smith Trustees, said: "From the Gilbert and Sullivan Gates built in Stirling for the Savoy Hotel, Embankment, London, 1990, to the long-lost portrait (1827) of Simon Bolivar, 'the Wallace of South America', the master portrait (1697) of composer Arcangelo Corelli and the library dedicated to 'Don Roberto' (Robert Bontine Cunninghame Graham), the Smith has works of national and international importance.
Hablamos, pues, de Arcangelo Corelli (1653-1713), quien Ilego a considerarse como un Orfeo redivivo y cuyo corpus musical se cuenta entre aquellos que mayor influencia ejercieron en su tiempo y a posteriori.
The validity and meaning of the terms "sonata da camera" and "sonata da chiesa" has been a matter of some heated debate between Barnett and Peter Allsop, author of a recent book on Corelli (Arcangelo Corelli: New Orpheus of Our Times [New York: Oxford University Press, 1999]; see the correspondence exchanged in the Journal of Seventeenth-Century Music 8 no.