Arnold Wesker


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Arnold Wesker
Birthday
BirthplaceStepney, London

Wesker, Arnold,

1932–, English playwright, b. London. At various times he has been a carpenter's mate, a seed sorter, and a pastry cook. His plays Chicken Soup with Barley (1958), Roots (1958), and I'm Talking about Jerusalem (1960) form a trilogy about a family of Jewish Communist intellectuals. His socialist point of view is reflected in his other plays, notably The Kitchen (1961), Chips with Everything (1962), and The Four Seasons (1969). His later plays include The Wedding Feast (1974) and The Old Ones (1972), which describes the enforced isolation of the elderly.

Bibliography

See studies by G. Leeming and S. Trussler (1971), R. Hayman (1973), and G. Leeming (1982).

References in periodicals archive ?
Wesker's granddaughter Leanne Courvoisier revealed the playwright's passing on Twitter: "There was a monkey called Arnold Wesker, who died.
Consequently, Lacey surveys the work of a broad range of playwrights including John Osborne, Arnold Wesker, Shelagh Delaney and Trevor Griffiths.
NEWPORT - A high-definition broadcast from National Theatre in London of its production of Arnold Wesker's "The Kitchen" will be shown at 7 p.m.
ARNOLD Wesker doesn't like his play Roots to be referred to as a kitchen-sink drama - but that room will be taking centre stage in a new production in Mold, says director Kate Wasserberg.
"I have experimented with and dared most things in the sexual arena" - Playwright Sir Arnold Wesker, 79.
Ellis has written a brisk drama (or brisket drama?), which is a blend of Arnold Wesker and Hollyoaks.
Jocelyn Herbert (1917-2003) was a key influence on British theatre design, known particularly for her groundbreaking work at the Royal Court Theatre from the late 1950s onwards, where she worked on world premieres of scripts by Samuel Beckett, John Osborne, Arnold Wesker and David Storey, defining the look of plays that were to becoming twentieth-century classics.
Active engagement in the theatre led him to criticize a younger generation of British playwrights, the "Angry Young Men" or "Kitchen Sink" leftists that included John Osborne and Arnold Wesker, with whom he nevertheless eventually developed a friendly association.
ARNOLD Wesker's world is earthy, gritty and compelling, and Roots, his tale of life, love and expectations in a Norfolk farm labouring family, is a masterpiece of observation.
Greig is in a more cheerful role at the moment with two parts in Arnold Wesker's The Wedding Feast at Birmingham Rep.
Taking as his starting-point the damning criticism of Derek Cohen and Arnold Wesker, Chernaik's opening gambit is characteristically playful.