Ars Nova

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Ars Nova


humanistic current in French and Italian music of the 14th century. In ars nova, secular vocal and instrumental music was elevated for the first time to a high professional level; there was movement toward the music of everyday life; and the major mode, which was prevalent in folklore, became established. Melodies and musical themes acquired refinement and clarity. It was first established theoretically in 1309 by the Italian investigator Marchettus of Padua, and in the 1320’s by the French humanist Philippe de Vitry, who contrasted the new art to medieval religious polyphony in the treatise Ars nova. The humanist theoretician#nd Parisian master Johannes de Muris (Jean de Murs) also sided with ars nova. In Italy, ars nova arose in the north (Florence, Bologna, Perugia, and other cities). The leading composers were Francesco Landini, Gherardello, and Giovanni da Firenze. They wrote madrigals, ballads, and caccias. The most notable composer of French ars nova, and at the same time the last great trouvère of the late Middle Ages, was Guillaume de Machaut.


Gruber, R. Vseobshchaia istoriia muzyki, 2nd ed., part 1. Moscow, 1960. Section 4.
Ivanov-Boretskii, M. Muzykal’no-istoricheskaia khrestomatiia, issue 1, 2nd ed. Moscow, 1933.
Priun’er, A. Novaia istoriia muzyki, vol. 1. Moscow, 1937. Chapter 3.
Fischer, K. V. Studien zur italienischen, Musik des Trecento und friiheren Quattrocento. Bern, 1956.


References in periodicals archive ?
Jim Kierstead, In Fine Company /Hipzee, Gutterman & Caiola/Backdrop Partners, Gordon /Meli Theatricals, Roger Hess/ Larry Toppall, Daniel Rakowski /Matt Ross/ Ben Feldman, Mike Karns, and the American Repertory Theater presentation of the Ars Nova production of a musical in two acts with music, lyrics, book & orchestrations by Dave Malloy, adapted from "War & Peace" by Leo Tolstoy.
There had been only minimal dance at Ars Nova, in the ballroom scenes.
The book's introduction situates the analysis it precedes within ars nova scholarship.
Finally, no book on square notation would be complete without a discussion of Machaut and Ars Nova practice.
Aside from marking a transition in lyrical and musical composition from a formal Franco-Provencal troubadour style toward an authentic Italian Ars Nova characterized by dolcezza, the canto amoroso Casella sings at Dante's request should retain our interest, according to Cerocchi, because its profane character renders it extraneous to Purgatorio's dominant liturgical theme of spiritual purification.
Paul Hillier is director of Theatre of Voices and Ars Nova Copenhagen and each year they present a recital telling the Christmas story, not unlike our own Nine Lessons and Carols.
La concezione della musica nella Divina Commedia" (chapter two) explores the profane and sacred aspects of music in the Divine Comedy and isolates variations in music aesthetics that would lead to the birth of Ars Nova italiana and the rupture with the Provencal model of musical composition.
Choirs taking part are Ars Nova from Hungary, the Cantamus girls choir from Mansfield and the National Youth Choir of Great Britain.
Performed by Ars Nova Copenhagen and conductor Paul Hillier
Tres anos despues, el compositor frances Philippe de Vitry empezo a escribir obras en un nuevo estilo, llamado Ars nova, (5) que incluye un sistema para anotar, con precision, ritmos y melodias complejas.
Their product code, ARS NOVA E5305-B, was also the title of the exhibition as well as (with the addition of a sequential number) each individual work, all dated 2009.
Ars Nova Copenhagen and Concerto Copenhagen, Accentus and Il Complesso Barocco, Les Talens Lyriques and the Spanish National Youth Orchestra.