Arte Povera


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Arte Povera

[Ital.,=poor art], influential art movement that arose in Italy in the late 1960s. It was championed by the Italian art critic Germano Celant, who also named (1967) the movement. It was characterized by generally large abstract sculptures made up of humble and often organic or discarded materials such as dirt, rope, rocks, old clothing, burlap sacks, wire, broken glass, tree limbs, industrial waste, and the like. Among the more than a dozen artists associated with Arte Povera are Jannis Kounellis, Mario and Marisa Merz, Luciano Fabro, Michelangelo Pistoletto, Giovanni Anselmo, and Piero Manzoni. Partially a reaction to Italy's economic boom, to its student and worker revolts, and to the prevalence of consumer culture, the movement is regarded artistically as a rejection of the tenets of high art and a reaction to American pop artpop art,
movement that restored realism to avant-garde art; it first emerged in Great Britain at the end of the 1950s as a reaction against the seriousness of abstract expressionism.
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 and minimalismminimalism,
schools of contemporary art and music, with their origins in the 1960s, that have emphasized simplicity and objectivity. Minimalism in the Visual Arts
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.

Bibliography

See catalogs by C. Criticos et al. (2001) and F. Malsch et al., ed. (2011); studies by G. Celant (tr. 1969 and 1985, tr. 2011), R. Lumley (2005), G. Lista (2008), M. Bürgi et al. (2012), and C. Christov-Bakargiev (2005 and 2014).

References in periodicals archive ?
The idea of using archival posters, the idea of testing the reactions of the viewers and bringing in weaving into a piece of 'poor art' brings to my mind a commonality with Italian art arte povera which is literally poor art.'
Located along the Hudson River, the space is a 20-minute drive from Dia:Beacon, the museum supporting minimalism, which reached its peak in America during the same period in which Arte Povera was emerging in Italy.
Inspired by Giorgio Vigna, who was the first artist they commissioned in 2003, the Program encourages artists to work with 'the memory' of Italy's Arte Povera movement.
Essays on particular artists are gathered into topical categories such as post-expressionism and animism, the origins of geometric abstraction or concrete art, new figuration, existential sculpture, art as social criticism, art and language, ugly realism, graphic arts, reflexion on art and science, young Belgian painting 1845-48, informal art, neo-symbolism, kinetic art and op art, arte povera, installation art, ceramics, and art and feminism.
Ikon Gallery, Oozells Square, Brindleyplace, Birmingham: Giuseppe Penone - sculpture, drawings and photographs by Italian artist associated with the Arte Povera movement, until July 19.
Arte Povera (literally, impoverished art) is a term coined around 1967 by the critic Germano Celant to describe the work of an emerging group of Italian artists.
A reworking of arte povera pioneer Giovanni Anselmo's automatic photograph Entrare nell'opera (Entering the Work, 1971), the dreamlike quality of Exiting Picture Left (all work 2006) betrays not only the same interest in shifts or disambiguations of consciousness, but also looks forward to exponents of the Dusseldorf School, students of Bernd Becher like Andreas Gursky, and Thomas Struth, Candida Hofer, and others--among whose ranks Arndt could easily be counted.
From Futurism to Arte Povera: Works from the Harcello Levi Collection September 14th to December 18th
So there is something exhilarating in seeing the old Cyclops bested and nearly domesticated by arte povera ("poor art").
Marco Bagnoli and Remo Salvadori both belong to that generation of Italian artists who had to come to terms early in their careers with the across-the-board return to painting after more than a decade of Arte Povera and Conceptual art.
This is the first major retrospective in the US of works by the Italian painter, sculptor, and installation artist Marisa Merz --one of the few female artists associated with Arte Povera. Five decades of her work are on show, from early experiments to the post-1975 portrait heads.