Arthur Koestler


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Koestler, Arthur

(kĕst`lər), 1905–83, English writer, b. Budapest of Hungarian parents. Koestler spent his early years in Vienna and Palestine. He was an influential Communist journalist in Berlin in the early 1930s, traveled through the Soviet Union, and moved to Paris. Later, as a correspondent for a British newspaper, he was captured and imprisoned by Franco's forces during the Spanish Civil War; Spanish Testament (1937) and Dialogue with Death (1942) relate his experiences. Released in 1937, he edited an anti-Nazi and anti-Soviet French weekly and served in the French Foreign Legion (1939–40). After the German invasion he was interned in a concentration camp, but escaped from France in 1940 and lived thereafter in England and the United States, continuing to travel widely after the war. By 1940 Koestler had broken with Communism, largely as a result of the Soviet purge trials of the late 1930s and the Hitler-Stalin nonaggression pact of 1939. The anti-Communist Darkness at Noon (1941), his most important and best-selling novel, vividly describes the imprisonment, interrogation, and execution of an old Bolshevik in a Communist prison for his "deviationist" belief in the individual. Koestler's other significant accounts of the evils of Stalinism include The Yogi and the Commissar (1945), and the essay he contributed to The God That Failed (ed. by R. H. Crossman, 1951).

Koestler's later writings ranged over a wide variety of subjects. His later novels include Thieves in the Night (1946), a powerful description of the conflict between Arabs and Jews in Palestine, The Age of Longing (1951), and The Call Girls: A Tragicomedy (1973). He wrote extensively on science in such works as The Lotus and the Robot (1960), The Act of Creation (1964), The Ghost in the Machine (1968), The Case of the Midwife Toad (1971), and The Roots of Coincidence (1972). Greatly concerned in later life with euthanasia and the right to die, an ailing Koestler and his healthy wife committed joint suicide in 1983. The author of more than 30 books and hundreds of articles, Koestler combined a brilliant journalistic style with an understanding of the great movements of his times and a participant's sense of commitment.

Bibliography

See his autobiographies, Scum of the Earth (1941), Arrow in the Blue (1952), The Invisible Writing (1954), and Janus: A Summing Up (1978); biographies by I. Hamilton (1982), D. Cesarani (1999), and M. Scammell (2009); studies by W. Mays (1973), S. Pearson (1978), and P. J. Keane (1980).

Koestler, Arthur

 

Born Sept. 5, 1905, in Budapest. English writer and philosopher. Son of an industrialist.

Koestler graduated from the University of Vienna (1926) with a major in psychology. He is the author of several publicistic satirical novels, including Darkness at Noon (1940), Arrival and Departure (1943), and Thieves in the Night (1946), which have been used as anticommunist propaganda. During the 1940’s and 1950’s, Koestler was a supporter of the “cold war.” In the late 1950’s he abandoned politics and has since then published a series of essays and studies on philosophy, biology, and the theory of biological systems, including The Sleepwalkers (1959), The Act of Creation (1965), and The Ghost in the Machine (1967); these works, using the theories of modern bourgeois philosophical anthropology, develop the idea of man as a “mistake of evolution.”

WORKS

Drinkers of Infinity. London, 1968.
The Roots of Coincidence. London, 1972.

REFERENCES

Glagoleva, E. “Psevdonauchnye rassuzhdeniia o prirode tvorchestva.” Kommunist, 1972, no. 12.
Potter, D. “The Ominous Beat of Koestler’s Ragged Black Wings.” The Times Saturday Review, Oct. 21, 1967.
Europäische Begegnung, October 1970, p. 37.

E. N. GLAGOLEVA and A. V. POTEMKIN

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While in prison for violence, Sykes spent his time passing an Open University degree in Physical Sciences and earning the Arthur Koestler prize for prison literature.
Arthur Koestler is another writer who encapsulates for me the ironies and duplicities associated with the advance of Communism in the 1930s and '40s and the conjuring abilities of the Soviet leader.
Little known outside certain intellectual circles in England before the war, Orwell became, along with Arthur Koestler, the outstanding popularizer of the perils of Soviet totalitarianism in the postwar years.