Po Chü-i

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Po Chü-i

(bô jü-ē), 772–846, Chinese poet. He occupied several important government posts, rising to the presidency of the imperial board of war in 841. He wrote over 3,000 poems, brief, topical verses expressed in very simple, clear language. Perhaps his most noted poem is the Song of Everlasting Regret (806), which recounts the sufferings of Emperor Ming Huang on the murder of his concubine by rebels. The poem figures prominently in The Tale of Genji, the 10th-century Japanese novel by Murasaki Shikibu; Po's work gained wide popularity throughout East Asia. He continued to write despite partial paralysis and enjoyed great fame during his lifetime.


See A. Waley, The Life and Times of Po Chü-i (1949); E. Feifel, Po Chü-i as a Censor (1961).

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The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Po Chü-i


Born, 772; died, 846. Chinese poet. Born into an impoverished aristocratic family.

Po occupied high government posts and was ruler of Chiangchou (present-day Ch’iungchiang). He was famous for being a lover of the people. He wrote about 3,000 poems. The first collection of Po Chü-i’s works was published during his lifetime. Po’s lyrics are characterized by their love of life and of humanity. In his letters, he pointed out the role that literature plays in life. He wrote the famous long narrative poems Song of Unending Sorrow and Lute. Po wrote verse exposes in which he criticized corruption, feudal lawlessness, and war: these included ten poems under the title Ch’in Melodies, and 50 New Popular Songs. Yuan Chen, Liu Yü-hsi, and other outstanding poets gathered around Po. In Chinese poetry he ranks in importance with the great eighth-century poets Li Po and Tu Fu.


In Russian translation: Stikhi. Moscow, 1958.
“Pesn’ o beskonechnoi toske.” In Vostok, collection 1. Moscow, 1935.
“Liutnia.” In Antologiia kitaiskoi liriki VII-IX vv. Moscow-Petrograd, 1923.


Eidlin, L. Z. “Iz tanskoi poezii (Bo Tsziui-i).” Tr. Voennogo in-ta inostrannykh iazykov, 1946, no. 2.


The Great Soviet Encyclopedia, 3rd Edition (1970-1979). © 2010 The Gale Group, Inc. All rights reserved.
References in periodicals archive ?
A version of Lion Dance resembling modern lion dance was described by Tang poet Bai Juyi in his poem 'Western Liang Arts', where the dancers wear a lion costume made of a wooden head, a silk tail and furry body, with eyes gilded with gold, teeth plated with silver and ears that moves.
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