Bajazeth

Turkish emperor confined to a cage by Tamburlaine. [Br. Drama: Tamburlaine the Great in Magill I, 950]

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Imprisonment

References in periodicals archive ?

Beyond the references to Alleyn's most famous of roles, Dekker also echoes Tamburlaine's threat to Bajazeth, "Take it up, villain, and eat it, or I will make thee slice the brawns of thy arms into carbonadoes and eat them" (1Tam, 4.

Moving with Marlowe (& Co.): relocation, appropriation, and personation in Thomas Dekker's the Shoemaker's Holiday

6) Sweet Bajazeth, I will prolong thy life, As long as any blood or sparke of breath Can quench or coole the torments of my griefe.

Can in Shakespeare and Marlowe

Even though the Orient is present in several Renaissance plays, Renaissance dramatists did not devote a whole play to the Orient, except for Christopher Marlowe's Tamburlaine the Great (1587) in which Bajazeth, the Turkish sultan, is depicted as a staunch Muslim ruler and conqueror of Asia, Africa and Europe.

Power and virtue in Elkanah Settle's Ibrahim

En la segunda parte de la tragedia de Marlowe, por ejemplo, el dramatis personae de la tragedia incluye a Almeda, "keeper" (157) de Callapine, prisionero de Tamburlaine e hijo de Bajazeth, emperador de Turquia y personaje de la primera parte de la tragedia.

Reflexiones sobre el monologo dramatico en Borges: "Tamerlan (1336-1405)"

Bajazeth says nothing to this option of self-cannibalism and persists in not eating the meat and not drinking.

Kings, cakes, and carnival: the politics of feasting in Christopher Marlowe's Tamburlaine

Near the end of Part I, Tamburlaine imprisons Bajazeth in a cage and brings him out for entertainment during dinner.

Justice is a mirage: failures of religious order in Marlowe's Tamburlaine plays

193-94), the deity reenacts the fate bestowed upon Bajazeth, Emperor of Turkey, at the hands of Tamburlaine in the final act of Part I (5.

Performing Places in Thomas Dekker's Old Fortunatus

The central paradox of the play is the ambiguous portrayal of Tamburlaine as the conqueror who vanquished the Ottoman king Bajazeth.

Christopher Marlowe's Tamburlaine and the Politics of English Trade

The scene has an inset structure, in which the war of words between Zenocrate and Zabina mirrors the off-stage battle between Bajazeth and Tamburlaine.

Marlowe's boy actors

And in a verbal battle with Bajazeth in the third act, Tamburlaine, without acknowledging the irony in his boasts, compares himself to Lucan's tyrant:

Lucanic irony in Marlowe's Tamburlaine

The second phase (Acts iii-v) introduces a largely new set of characters, led by Bajazeth the Turkish emperor.

'A world of ground': terrestrial space in Marlowe's Tamburlaine plays

OED cites 1 Tambudaine as containing the first recorded use of regreet: Bajazeth says to a messenger he is sending to the king of Persia, "if before he sun have measured heaven / With triple circuit thou regreet us not, / We mean to take his morning's next arise / For messenger he will not be reclaimed, / And mean to fetch thee in despite of him" (3.