Barry Cornwall

Cornwall, Barry

 

(pen name of Brian Waller Procter). Born Nov. 21, 1787, in Leeds; died Oct. 5, 1874, in London. English writer.

The son of a farmer, Cornwall was educated as a lawyer. The main theme of his Dramatic Scenes (1819; Russian translation, 1837), written in the spirit of late romanticism, is the power of fate, which destroys human happiness. Cornwall also wrote the successful tragedy Mirandola (staged 1821). His best-known collection is English Songs (1832). His poetry was translated into Russian by such writers as Pushkin (“I Drink to Mary’s Health”), D. D. Minaev, and M. L. Mikhailov.

WORKS

In Russian translation:
In Gerbel’, N. V. Angliiskie poety v biografiiakh i obraztsakh. St. Petersburg, 1875.

REFERENCES

Iakovlev, N. V. “Poslednii literaturnyi sobesednik Pushkina (Bari Kornuol’).” In the collection Pushkin i ego sovremenniki, fase. 28. Petrograd, 1917.
Armour, R. W. Barry Cornwall. Boston, 1935.
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References in periodicals archive ?
Richard Marggraf Turley, Bright Stars: John Keats, Barry Cornwall and Romantic Literary Culture, Liverpool University Press, 2009, pp.
Richard Marggraf Turley's study of the often neglected poet Barry Cornwall offers an interesting and informative supplement to the work of critics such as Jeffrey Cox and Nicholas Roe on the social, literary and invariably political contexts of John Keats's life and work.
nineteenth-century English poet Barry Cornwall on the creative works of
Barry Cornwall and Pushkin's "Little House in Kolomna"
Works of Milman, Bowles, Wilson, and Barry Cornwall. P.
of Milman, Bowles, Wilson, and Barry Cornwall to his estate Boldino in
this new form was inspired by the octaves of Byron and Barry Cornwall,
Tale," Barry Cornwall says: "My tale is sad in part, in part
undeniable thematic and textual influence of Barry Cornwall's
Det Con Barry Cornwall (33) and Det Con Peter Hardy (43) have been charged with deception and theft after organising the competition for Lewisham Hospital.
As so often in Keats, there is an oblique reference to mythology rather than an overt one (compare his 'Elgin Marbles' to the overt mythological references of Barry Cornwall's ekphrasis on them).
[t]o his fellow-contributors in the London Magazine he was always most generous, and praises Barry Cornwall, Allan Cunningham, Hazlitt, Elton, and Leigh Hunt without anything of the malice of a friend.(1)