Beethoven


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Beethoven

Ludwig van . 1770--1827, German composer, who greatly extended the form and scope of symphonic and chamber music, bridging the classical and romantic traditions. His works include nine symphonies, 32 piano sonatas, 16 string quartets, five piano concertos, a violin concerto, two masses, the opera Fidelio (1805), and choral music
References in periodicals archive ?
His inclusion of critical voices, both contemporary to Beethoven and recent, helps reveal additional layers of meaning.
On an extra-long "Diabelli Weekend" from September 10-14, Hungarian AndrEis Schiff will play this key work by Beethoven on a modern grand piano, with that sound and rendition contrasted in a repeat performance given by Schiff's Dutch colleague Ronald Brautigam on a historic fortepiano.
Ludwig van Beethoven vivait a l'epoque de la revolution francaise et des guerres napoleoniennes.
Beethoven is not a biography with grandiose ideas about Beethoven s pivotal role in the artistic universe and his influence on Western civilization.
In a powerfully etched Eroica, the funeral march edged towards 17 minutes in contrast to the just over 12 of metronome-conscious Riccardo Chailly, the Usain Bolt of Beethoven conducting.
Volume 3 C Emperor Concerto & Choral Fantasy September 16 is the release of the third and final recording of the Beethoven Journey, featuring Piano Concerto No.
A drienne Kennedy's recent play She Talks to Beethoven first appeared in Antaeus in the spring of 1991 and was subsequently included as the first of the Alexander Plays published by the University of Minnesota Press in 1992.
BARENBOIM ON BEETHOVEN Will Also Feature Interviews and Performances of All 32 Piano Sonatas Performed by Daniel Barenboim in Summer 2005 in Berlin
In 1792, Beethoven moved to Vienna, where he would remain until his death.
While the 71 years separating these two publications have yielded numerous and diverse studies of Beethoven's quartets--most notably Joseph Kerman's groundbreaking exegesis of the entire cycle (The Beethoven Quartets [New York: Alfred A.
The author presents convincing evidence that Beethoven created a syntax of affective tonality, projecting different mood states by using familiarly accepted key characteristics.
After Sunday's delightful performance of Beethoven's Second Piano Concerto applause was long and enthusiastic not only from us listeners, but also from the members of the Britten Sinfonia, who had responded with such alertness to her direction from the keyboard - good enough for Mozart and Beethoven, good enough for Hewitt, too.