Bernard Berenson


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Berenson, Bernard

 

Born June 14 (26), 1865, in Vilnius; died Oct. 7, 1959, in Florence. American art historian. Graduated from Harvard University in 1887. Member of the American Academy of Arts and Literature, and a number of European academies. Lived in Italy from 1900.

In his works written between 1890 and the early 1900’s, Berenson first defined the stylistic characteristics of the Italian Renaissance schools and their representative masters. Berenson did a vast amount of work on the attribution of the paintings and drawings of Italian artists.

WORKS

The Italian Painters of the Renaissance. London, 1953.
In Russian translation:
Zhivopistsy ital’ianskogo Vozrozhdeniia. Moscow, 1965.

REFERENCE

Mostyn-Owen, W. Bibliografia di Bernard Berenson. Milan, 1955.
References in periodicals archive ?
These were initiated by Bernard Berenson and in recent years have been led by Peter Humfrey.
As Lippmann himself once wrote to his friend Bernard Berenson, "I love James more than any great man I ever saw, but increasingly I find Santayana inescapable."
Rather, in his long career, ranging from the 1870s to 1920, Bardini, the "Prince of antiquarians," could be said to have created almost single-handedly the booming market for the art of the early Italian Renaissance, paving the way for the great American art dealer Bernard Berenson and the many others who followed in his wake.
And a face that initially appears to be Freud's (surely a twentieth-century diviner) Is identified as art historian Bernard Berenson (another sort of fortune-teller).
Abstract: L'aspra rivalita fra Bernard Berenson e Roberto Longhi, due tra i piu importanti critici d'arte del secolo scorso, e leggendaria.
Iris Origo reports that Bernard Berenson in his old age said that
The person who played a central role in formalizing the processes of attribution was Bernard Berenson (1865-1955) (2, 3).
Next follows Bernard Berenson's catalog of Renaissance drawings from Florence, "The Drawings of the Florentine Painters Classified, Criticised and Studied.
Discipulo y lector de Charles Baudelaire, Paz lo fue tambien de otros escritores y pensadores sensibles al misterio de lo real encubierto en la expresion artistica: Martin Heidegger, Andre Breton, Andre Malraux, Marcel Duchamp, Fernando de Szyszlo, Elie Faure, Bernard Berenson, Dore Ashton, Jose Juan Tablada, Luis Cardoza y Aragon, Xavier Villaurrutia, Jorge Cuesta, Juan Garcia Ponce, Marta Traba, Salvador Elizondo, Damian Bayon, Saul Yurkievich, Julio Cortazar, etcetera.
Dempsey, Charles, The Early Renaissance and Vernacular Culture (Bernard Berenson Lectures on the Italian Renaissance), Cambridge, MA, Harvard University Press, 2012; hardback; pp.
She wrote a series of books and hosted a colorful miscellany of friends and neighbors, from Mark Twain to Bernard Berenson, at Polio Gherardo, her castle outside town.
This book records the Bernard Berenson Lectures on the Italian Renaissance that Charles Dempsey delivered at Harvard's Villa I Tatti in Florence.