Bernardo Bellotto


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The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Bellotto, Bernardo

 

Born Jan. 30, 1720, in Venice; died Nov. 17, 1780, in Warsaw. Italian painter and etcher. Nephew and pupil of A. Canaletto, whose nickname he inherited.

From 1747 to 1767, Bellotto worked in Dresden, Vienna, and Munich and from 1767, in Warsaw. A master of the meticulously accurate architectural landscape, he painted views of Venice, Dresden, Warsaw, and other cities in silvery tones with spare strokes.

REFERENCES

Fomicheva, T. D. Vidy Drezdena i Pirny: Arkhitekturnye peizazhi Bellotto. Leningrad, 1959.
Fritzsche, H. A. Bernardo Bellotto genannt Canaletto. Burg [1936].
Kozakiewicz, S. Canaletto, 2nd ed. Warsaw, 1955.
The Great Soviet Encyclopedia, 3rd Edition (1970-1979). © 2010 The Gale Group, Inc. All rights reserved.
References in periodicals archive ?
Pirna may have become known due to the paintings by Venetian artist Bernardo Bellotto, but it has kept its medieval town feel due to being spared from war and fire damage.
The acquisition of a major northern European view by Bernardo Bellotto for nearly 12 [pounds sterling] million, after an export bar was placed on the painting, is a welcome triumph after the Pontormo farrago of the spring.
The most prominent vedutisti were Giovanni Antonio Canal (1697-1768), known as Canaletto; his nephew Bernardo Bellotto (ca 1722-80); and Francesco Guardi (1712-93) (10).
Estrella says that the material on the webpage was produced by over 1,100 authors including renowned visual artists such as Alfred Stieglitz, Alice Austin, Bernardo Bellotto, Eugene Atget, Jan van der Heyden, Johannes Vermeer, Timothy O'Sullivan and William Henry Fox Talbot.
The art collection built by Colonel Edward Douglas Pennant, later the first Baron Penrhyn, included other works by Canaletto and his nephew and protege Bernardo Bellotto, as well as Jan Steen's Burgher of Delft.
it has an intricately detailed depiction of a Dresden landscape on the inside of the cover, painted after an engraving by Bernardo Bellotto.
Trained as an art historian with an eye for context and wider societal resonance, Barker begins by taking the reader into one of the paintings in the exhibition, "The Tiber with the Church of San Giovanni dei Fiorentini, Rome," Bernardo Bellotto, ca.
Detectives have identified two men - one of whom has since died - as the robbers who stole two paintings - Portrait of Madame Bacelli by Gainsborough and View of Florence by Bernardo Bellotto - in 2001.
The two which were returned a few days ago were Gainsborough's Madame Baccelli and Bernardo Bellotto's View of Florence.