Bimal Roy


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Bimal Roy
Birthday
BirthplaceSuapur, Bengal Presidency, Indian Empire
Died
The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Roy, Bimal

 

Born July 12, 1909, in Dacca; died Jan. 8, 1967, in Bombay. Indian film director.

Roy worked as a cameraman from 1935 to 1942, after which he began his career as a director. His film Two Bikha of Land (1953) dealt with the struggle of the Indian peasantry for their rights to the land. This was one of the most outstanding Indian films of the 1950’s. Roy directed other films, including Devdas (1955, based on a work by C. Chatterjee), Biraj Bahu (1956), The Untouchable (1959), and The Prisoner (1963).

REFERENCE

Kolodiazhnaia, V. S. Kino Indii. Moscow, 1959.
The Great Soviet Encyclopedia, 3rd Edition (1970-1979). © 2010 The Gale Group, Inc. All rights reserved.
References in periodicals archive ?
The organisation Roots in Kashmir (RIK) filed a caveat through leading Supreme Court advocate Bimal Roy seeking that no order shall be passed in a petition challenging the revocation of Article 370 without hearing the caveator.
It was kind of great filmmakers like Arjun Hingorani, Mohan Kumar, Hrishikesh Mukherjee, Bimal Roy and O.P Ralhan who gave me the kind of roles that made me what I am today." (He was growing more emotional and took off his dark glasses, which he wears these days, to stop his tears from flowing) He had still not answered my question and I had to remind him about it in different ways.
He still had to do Devdas (1955) for Bimal Roy which has the classic tragic hero.
Consequently, film director Bimal Roy gave her a chance to sing in Parineeta (1953).
It was a different world when the iconic Balraj Sahni befriended and bonded with little Minnie in Bimal Roy's Kabuliwala .
Is it because of your long association with eminent Bengalis such as Bimal Roy, S.D.
"We are a movie-making nation where the work of Bimal Roy, Basu Chatterjee and Hrishikesh Mukherjee have been celebrated.
The films ranged from Tins for India (Bimal Roy, New Theatres, 1941) through to films on the stocking of kerosene in advance of the monsoon, and on the transportation of kerosene by river, sea and lorry.
Whether it's the music of Anupam Roy, the crisp editing or even the artistic frames captured by the cinematographer, the film openly harks back to the good old days of Satyajit Ray and Bimal Roy. It takes the most ordinary situations from daily life and churns out the kind of drama that's missing from modern mainstream cinema.
One bedroom is reminiscent of the golden Hollywood era of Rita Hayworth and Marilyn Monroe, while the other draws on colonial inspiration and renowned Indian artists Guru Dutt, Merchant Ivory and Bimal Roy. The suite is a celebration of personalised detail and global culture.
"Earlier there were production houses of Raj Kapoor, Bimal Roy. Now, only one remains and that is Yash Raj productions," he said.