Boris Godunov

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Boris Godunov:

see Godunov, BorisGodunov, Boris
, c.1551–1605, czar of Russia (1598–1605). A favorite of Ivan IV (Ivan the Terrible), he helped organize Ivan's social and administrative system.
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Godunov, Boris

(bərēs` gədo͞onôf`), c.1551–1605, czar of Russia (1598–1605). A favorite of Ivan IVIvan IV
or Ivan the Terrible,
1530–84, grand duke of Moscow (1533–84), the first Russian ruler to assume formally the title of czar. Early Reign

Ivan succeeded his father Vasily III, who died in 1533, under the regency of his mother.
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 (Ivan the Terrible), he helped organize Ivan's social and administrative system. After Ivan's death (1584), Boris became virtual ruler of Russia, ostensibly as regent for Ivan's young son Feodor I, who was married to Boris's sister. Boris was popularly believed to have ordered the murder (1591) of Feodor's younger brother and heir, DmitriDmitri
or Demetrius
, 1582–91, czarevich, son of Ivan IV (Ivan the Terrible) of Russia. His brother, Feodor I, succeeded Ivan in 1584, but Boris Godunov actually ruled Russia for the period of Feodor's reign (1584–98).
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, in order to secure the succession for himself. Upon Feodor's death (1598), an assembly of the ruling class chose Boris as czar. Under his rule the Russian church was recognized (1589) as an independent patriarchate, equal to other Eastern churches; peace was obtained with Poland and Sweden, and colonization of the southern steppes and W Siberia was spurred. Most important, Boris continued Ivan's policy of strengthening the power of state officials and townspeople at the expense of the boyarsboyars
, upper nobility in Russia from the 10th through the 17th cent. The boyars originally obtained influence and government posts through their military support of the Kievan princes. Their power and prestige, however, soon came to depend almost completely on landownership.
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. Yet famine (1602–4) and popular distrust undermined his support, and when a pretender to the throne appeared claiming to be Feodor's brother Dmitri, many rallied to his support and he easily invaded Russia in 1604. Boris died, and his son, Feodor IIFeodor II,
1589–1605, czar of Russia (1605). He succeeded his father, Boris Godunov, but was assassinated when the first false Dmitri was proclaimed czar.
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, was unable to defend the throne against the false Dmitri. Boris's life is the subject of a drama by Pushkin that was the basis for Moussorgsky's famous opera.

Boris Godunov


Born circa 1552; died Apr. 13, 1605. Russian tsar (from Feb. 17, 1598). Son of the boyar Fedor Godunov. The founder of the family was Chet, a murza (Tatar nobleman) who transferred his service from the Golden Horde to Moscow about 1330.

Godunov is mentioned for the first time in 1567, when he was an oprichnik. His rise was connected with his marriage to Maria, Maliuta Skuratov’s daughter (circa 1570), and Tsarevich Fedor’s marriage to Irene, Godunov’s sister (circa 1574). He became a royal carver in 1577 and a boyar in the autumn of 1580. With Fedor’s accession to the throne, Godunov became one of the most important members of the government, and in 1587, after a bitter palace struggle, he became the sole ruler of the state, receiving the right to independently conduct diplomatic relations. According to the assertions of later Russian sources, Godunov was the instigator of the murder of Tsarevich Dmitrii of Uglich. After the death of the childless Fedor, he was elected tsar by the national assembly on Feb. 17, 1598.

According to the testimonies of his contemporaries, Godunov possessed outstanding gifts as a statesman. In his domestic politics of the 1580’s and 1590’s, Godunov, in trying to consolidate the ruling class, especially took into consideration the interests of the state-serving dvorianstvo (nobility or gentry) and some of the demands of the upper layers of the posad (merchants’ and artisans’ quarter). He tried to overcome economic devastation by strengthening serfdom; a general census in the 1580’s and 1590’s was taken, the ukase of 1592–93 prohibiting the escape of peasants on St. George’s Day was promulgated, and the ukase of 1597 establishing a five-year period for the search for fugitive peasants was issued. He also tried to overcome economic devastation by providing economic support for the middle and lower levels of feudal nobility—exemption from taxes on the landholders’ pashnia (land cultivated for the sovereign) and abolition of church patents in 1584. Godunov also regulated the conditions of slaves, primarily those in debt slavery (Code of 1597). Posad construction was conducted in the cities; this satisfied some of the interests of the city dwellers but extended serfdom to the cities and increased taxes. Godunov pursued a vigorous governmental policy of colonizing Siberia and the southern regions of the country. In foreign politics he succeeded in partially eliminating the consequences of the Livonian War. (Through the Tiavzin Peace of 1595, Russia regained some regions seized by Sweden.) In the 1580’s and 1590’s the Russian positions were considerably strengthened in the Northern Caucasus, Transcaucasia, and the Trans-Volga region. Foreign trade increased sharply (through Arkhangelsk and on the Volga). The election of Godunov as tsar was accompanied by the granting of several privileges (above all to the district dvorianstvo). Class and intraclass contradictions, which became exacerbated by the mass famine of 1601–03, led to a peasant war. A reorientation of Godunov’s domestic policy—support for important secular and church feudal lords, the dvorianstvo of the capital, and the upper stratum of the district dvorianstvo, along with some concessions to the laboring population—was not successful. The weakness of Godunov’s government revealed itself also in an inability to cope with the rising movement of the popular masses, on the one hand, and of the dvorianstvo of the country’s southern regions on the other. At the height of the struggle with the first false Dmitrii, Godunov died suddenly. His son Fedor, a minor, was proclaimed tsar. On June 1, 1605, an uprising of Muscovites led to the fall of the government of the Godunovs, and Fedor was killed.


Istoriia SSSR s drevneishikh vremen do nashikh dnei, series 1, vol. 2. Moscow, 1966.


Godunov, Boris

Tsar suffers pangs of conscience for having murdered the Tsarevitch in order to seize the throne. [Russ. Drama and Opera: Boris Godunov]

Godunov, Boris

(c. 1551–1605) cunningly has tsarevich murdered; gallantly accepts throne. [Russ. Lit.: Boris Godunov; Russ. Opera: Moussorgsky, Boris Godunov]
References in periodicals archive ?
Accordingly when the regent Boris Godunov took over following the death of Fyodor I who died without surviving issue in 1598, in the interests of both state stability and continuing Church power, a new doctrine of legitimacy was required.
This is a political history of Russia between Tsar Ivan the Terrible's death in March of 1584 and the coronation of Mikhail Feodorovich Romanov in July of 1613, a period that ended in tumultuous upheaval and was dominated until 1605 by the de facto and then official rule of Boris Godunov.
The next two chapters address the political and historical ideas contained in Boris Godunov.
The burning question of whether Shakespeare influenced Pushkin's Boris Godunov is not going to be resolved by pointing out that the False Pretender Dimitry; threatened with exposure, assumes "the self-assertive role of Angelo in Measure for Measure" (38).
Karamzin's reading of Shakespeare and his version of Julius Caesar is of interest chiefly for their influence on Alexander Pushkin and particularly the master Russian play, Boris Godunov.
If reading books evokes particular composers--and I leave it to the readers of this review to conjure their own counterparts to Parsifal, or Boris Godunov, or Mathis der Maler, or Nixon in China, or Ravel's Bolero--here is the closest the book collection of the music library will likely ever get to The Marriage of Figaro and Mendelssohn's Songs without Words.
And then there is his much acclaimed Boris Godunov - filmed in 1989 by Andrzej Zulawski.
The reception was followed by a performance of excerpts from Mussorgsky Boris Godunov, the Kingdom of the Shades scene from La Bayadere, and the Polovtsian Camp Scene from Borodins Prince Igor.
It is interesting to ponder the fact that, had the repertory committee of the Mariinsky theatre in 1870 not rejected the first version of Boris Godunov and if Musorgsky hadn't enthusiastically revised it, Boris might today only be spoken of in the same terms as The Stone Guest: with respect as a historically significant experiment rather than as a central work in the operatic canon.
Among the favorites were La Boheme by Giacomo Puccini, which was staged 162 times during the year; Cosi fan Tutte by Wolfgang Amadeus Mozart, a comic opera; and Boris Godunov, the dramatic opera by Modest Petrovich Moussorgsky.
Coleridge, Aids to Reflection; Pushkin, Boris Godunov