Boris Pilniak

Pil’niak, Boris Andreevich


(real surname Vogau) Born Sept. 29 (Oct. 11), 1894; died 1937. Soviet Russian writer.

The son of a veterinarian in the city of Mozhaisk, Pil’niak began publishing in 1915. He graduated from the Moscow Commercial Institute in 1920. Pil’niak was one of the first to depict conditions of life during and after the October Revolution of 1917. Not understanding the revolution, he portrayed it as an outburst of anarchist elemental forces: a “snowstorm” or “flood.” The stagnant patriarchal way of life, which opposed the revolution, and the multiform Russian man in the street were both included by Pil’niak in this “stream of life” in The Naked Year (1921), The Snowstorm and Ivan and Mar’ia (both 1922), and Machines and Wolves (1925). Attempting to create positive Bolshevik heroes, he depicted them as generalized symbolic iron-willed men in “leather jackets.” Pil’niak had a stylistic spectrum ranging from a traditional attention to detail, tending toward naturalism, to reportage filled with excerpts from documents and with statistical data.

Pil’niak’s ideological confusion led him into serious errors in “The Tale of the Unextinguished Moon” (1927) and the novella Mahogany, published abroad in 1929. Later overcoming these errors, Pil’niak contributed to the establishment of the “production” novel with The Volga Flows Into the Caspian Sea (1930), as well as of the genre of the Soviet sketch. He also wrote a number of works that combined local color with social and historical analysis, such as O.K. (1933), Stones and Roots (1934), and The Ripening of the Fruit (1935). Pil’niak’s historical prose juxtaposes the present with the past, as seen in His Highness, Prince Peter the Commander (1922) and Put Stoss in Everyday Life (1929).


Sobr. soch., vols. 1-8. Moscow-Leningrad, 1929-30.
Stat’i i materialy. Leningrad, 1928.
“Solianoi ambar” (chapters from a novel). Moskva, 1964, no. 5.


Voronskii, A. K. “B. Pil’niak.” In his book Literaturnye portrety, vol. 1. Moscow, 1928.
Andreev, Iu. Revoliutsiia i literatura. Leningrad, 1969.
Ivanov, V. Ideino-esteticheskie printsipy sovetskoi literatury. Moscow, 1971.
Pluksh, P. I. Formirovanie i razvitie sotsialisticheskogo realizma. Moscow, 1973.


References in periodicals archive ?
Las remembranzas son tambien una denuncia de la despotica forma de gobierno sovietico que reprimio, entre otros, a escritores como Boris Pilniak, Isaac Babel, Anna Ajmotova, Nikolai Bujarin, Boris Pasternak y Marina Tsvetaieva.
She discusses the cost of constructing Iurii Olesha's Envy; Marietta Shaginian and the changing Soviet author of Hydrocentral; Boris Pilniak, Mahogany and The Volga Falls to the Caspian Sea; Andrei Platonov and the end of the production novel; and other examples.
Vuelvo a preguntarlo para intentar una vez mas decir en pocas palabras lo que ya hemos dicho en muchas: porque puso el dedo en la llaga moral de nuestro pais y del mundo, como ya lo habian hecho antes algunos de sus predecesores en otros paises donde tambien fueron maldecidos, perseguidos, llevados a la miseria fisica, al exilio y muchas veces a la muerte: Gide, Breton, Isaac Babel, Boris Pilniak, Trotski.
De su estancia en Moscu, Pitol trajo la unica novela de Chejov (1860-1901): Un drama de caza y Pedro, su majestad emperador y otros cuentos de Boris Pilniak (1884-?1938?), el gran narrador desaparecido, como casi toda su generacion, en las "purgas" stalinianas de los anos 30.