Brassaï

(redirected from Brassai)
Also found in: Dictionary.
Brassaï (Gyula Halász)
Halász Gyula
Birthday
BirthplaceBrassó, Transylvania, Austria-Hungary(now Romania)
Died
NationalityHungarian/French
Occupation
Photographer

Brassaï

(bräsī`), 1899–1984, French photographer, b. Brassó, Hungary (now Braşov, Romania), as Gyula Halász. Particularly known for his nightime photographs of Paris, he studied art in Hungary and Germany before moving (1924) to that city. There he associated with Picasso, Braque, Miró, and other seminal modern artists. Fascinated by street life, Brassaï turned to photography to depict it, capturing on film artists, prostitutes, criminals, entertainers, and others on society's margins. Published in his first book, Paris after Dark (1933, tr. 1987, repr. as Paris by Night, 2001), and in Voluptés de Paris (1935), the photos earned him a succès de scandale and an international reputation. In addition to the city's low life, he also portrayed its vital daily life and its sparkling high life. Widely exhibited, his work also appears in several books, e.g., Henry Miller: The Paris Years (1975, tr. 1995) and Artists of My Life (1982).

Bibliography

See his Letters to My Parents (1980, tr. 1997); studies by M. Warehime (1998), A. W. Tucker and R. Howard (1999), A. Lionel-Marie, ed. (2000), and P. Galassi (2018).

References in periodicals archive ?
In this regard, empirical research has uncovered several pieces of evidence showing that the presence of MIL has a positive impact on different aspects of human psychological and physical functioning, such as psychological well-being (Ho, Cheung, & Cheung, 2010; Zika & Charbelaim, 1992), psychological health (Brassai, Piko, & Steger, 2011), drug-abuse prevention (Waisberg & Porter, 1994), trauma recovery (Kashdan & Kane, 2011), and prevention of depression and anxiety disorders in cancer patients (Vehling et al., 2011), among others.
Prose was inspired to write Lovers by the well-known photograph by George Brassai, "Lesbian Couple at Le Monocle 1932," of a butchfemme couple in a Paris cafe--particularly when she found out that the tuxedoed woman in the picture, Violette Morris, was a promising young French athlete who later became a Nazi collaborator.
Inicia con una cita del propio pintor espanol, quien respondio en una entrevista con el fotografo de origen hungaro Brassai (seudonimo de Gyula Halasz), la razon por la cual tenia obsesion por fechar todas sus obras:
Prose based the character of Lou Villars on the real-life Violette Morris, promising young French athlete turned Nazi collaborator who was featured in Georges Brassai's Lesbian Couple at Le Monocle, 1932.
Conceived as nonfiction--when Prose, intrigued by the Brassai photo Lesbian Couple at Le Monocle, 1932, began to research the life of Nazi collaborator Violette Morris--the project wound up as a novel told through the fictionalized voices of real people, with commentary by a made-up biographer.
Brassai, Piko y Sterger hallaron en un grupo de adolescentes rumanos que el sentido de la vida cumplia un rol protector en materia de salud, disminuyendo significativamente comportamientos de riesgo (consumo de sustancias, promiscuidad, falta de ejercicio fisico, control de la dieta) y, asimismo, estaba fuertemente relacionado con el bienestar psicologico.
Dater's portraits, observed Tucker, "are important documents of young San Francisco women and they preserve that time and place as Brassai preserved people of the Parisian night." (6)
Photographs in the weekly by Denise Bellon, lise Bing, Brassai, Robert Capa, Henri Cartier-Bresson, Alfred Eisenstaedt, Gisela Freund, and Man Ray straddled reportage and art.
(10.) This photograph could be found on Christie's website at the time of writing (see Brassai).
Fotografos de la calidad de un Cartier-Bresson o de un Brassai definen su arte como una aparente paradoja: la de recortar un fragmento de la realidad, fijandole determinados limites, pero de manera tal que ese recorte actue como una explosion que abre de par en par una realidad mucho mas amplia, como una vision dinamica que trasciende espiritualmente el campo abarcado por la camara.
Sylvie Aubenas and Quentin Bajac's BRASSAI: PARIS NOCTURNE (9780500544259, $85.00) provides a fine survey of photographer Brassai, the first to capture Paris after dark.
Pudimos mostrar portafolios de gente como Man Ray, Brassai o Jean Eugene Atget, que exponiamos en una pared que era como el espacio de los clasicos, y entonces otro espacio se dedicaba solamente a los nuevos.