Setting Sail" has an introduction that is diferent from the vocal melody, but the accompaniment fguration is a fowing eighth-note broken chord
pattern in the right hand, doubling the melody, over simple chords and octaves in the lef.
Sets, Robin Vest; costumes, Anne Kennedy; lighting, Peter" West; sound, Broken Chord
Collective; production stage manager, Katrina Renee Herrmann.
The vocal line floats in long phrases of irregular length over a soft piano part of flowing broken chord
figurations with chordal melody in the inner voices.
Set, Robin Vest; costumes, Rebecca Bernstein; lighting, Pat Dignan; original music and sound, Daniel Baker and the Broken Chord
Collective; fight direction, David Debesse; production stage manager, Paige van den Berg.
Replete with varied repetitions of broken chord
patterns, it features moving eighth notes alternating between the hands.
The stanzas are divided by the piano's broken chord
passages twice and once by a rolled chord.
Sets, Robert Brill; costumes, Valerie Marcus Rashmur; lighting, Sarah Sidman; sound, Daniel Baker; original music, Broken Chord
Collective; production stage manager, Brian Meister.
The piano prelude sets up the mood of the text with soft descending chords over a repeated pedal tone on the dominant in the first three measures, followed by the broken chord
pattern in the left hand and melodic pattern high on the keyboard that will be a prominent motto theme throughout the song.
Set, Rachel Hank; costumes, Sarah Beers; lighting, Sarah Sidman; sound, Daniel Baker; original music, Broken Chord
Collective; dramaturg, Heather Honnold; production stage manager, Leigh Boone.
As shock subsides and equilibrium begins to return, the viola provides a soothing flow of sixteenth notes in a broken chord
pattern over the slow chords in the piano that support the more melodic vocal line.
He recommends blocking broken chord
patterns to determine the best fingering.
It begins in D major with beautiful languid lines in the vocal part over a simple broken chord