Burne-Jones


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Burne-Jones

Sir Edward. 1833--98, English Pre-Raphaelite painter and designer of stained-glass windows and tapestries
References in periodicals archive ?
Produced before the full emergence of the Aesthetic Movement, it expresses with unimpeachable Victorian propriety the powerful and thwarted love of the married Burne-Jones for his Greek muse, Maria Zambaco.
Burne-Jones capta a la protagonista de su cuadro despues de que esta haya regresado del segundo baile en palacio, pues, de hecho, ya ha perdido uno de sus zapatos.
Cawn lun o'r genedigaeth a Dafydd Frenin ond yn ddiddorol iawn, a fel sydd mor gyffredin gyda'r Cyn-Raffaeliaid, defnyddir wyneb William Morris ar gyfer Dafydd Frenin a wyneb Burne-Jones ar gyfer y bugail sydd yn cyfarch yr Iesu.
She finds Venus's hill "a queer space" which protected the enactment of inexpressible anti-normative desires and traces its permutations from its Germanic origins through the poems of Swinburne and Morris, the paintings of Edward Burne-Jones, and Oscar Wilde's dialogue, "The Critic as Artist.
The Pygmalion series, 1878, by Edward Burne-Jones, part of the Exposed exhibition at Herbert Art Gallery & Museum
Google photographed one of the Laing's most important paintings, Laus Veneris by the Victorian artist Sir Edward Coley Burne-Jones, in 'gigapixel' format.
Beloved and often bizarre, the works of the Victorian painter Edward Burne-Jones evoke oneiric fantasy worlds.
Novelist Padgett Powell won the fiction prize for his book You And I, while Fiona MacCarthy took the biography prize for her book on the British artist and designer Edward Burne-Jones, The Last Pre-Raphaelite: Edward Burne-Jones And The Victorian Imagination.
The peak of his collaboration with professional artists appears to have been the 1890s during which period he worked with John Seymour Lucas to stage the 1890 production of Ravenswood, Ford Maddox Brown, whose sketches inspired the designs produced for the scenery and costume used in the 1892 production of King Lear, and Edward Burne-Jones, who was responsible for designing the set and costumes used in the 1895 production of King Arthur.
The last Pre-Raphaelite; Edward Burne-Jones and the Victorian imagination.
They include Matthew Wood, Susie Liddle, Paulene Salmons, Ann Lewis, Terry Mart, Wini Jones Lewis, Tudur Owen, Pam Burne-Jones.