Byzantine

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Byzantine

1. of, characteristic of, or relating to Byzantium or the Byzantine Empire
2. of, relating to, or characterizing the Orthodox Church or its rites and liturgy
3. of or relating to the highly coloured stylized form of religious art developed in the Byzantine Empire
4. of or relating to the style of architecture developed in the Byzantine Empire, characterized by massive domes with square bases, rounded arches, spires and minarets, and the extensive use of mosaics
5. denoting the Medieval Greek spoken in the Byzantine Empire
www.archaeolink.com/byzantine_civilization.htm
www.metmuseum.org/explore/Byzantium/art.html
http://historymedren.about.com/cs/byzantinestudies

Byzantine

(jargon, architecture)
A term describing any system that has so many labyrinthine internal interconnections that it would be impossible to simplify by separation into loosely coupled or linked components.

The city of Byzantium, later renamed Constantinople and then Istanbul, and the Byzantine Empire were vitiated by a bureaucratic overelaboration bordering on lunacy: quadruple banked agencies, dozens or even scores of superfluous levels and officials with high flown titles unrelated to their actual function, if any.

Access to the Emperor and his council was controlled by powerful and inscrutable eunuchs and by rival sports factions.

[Edward Gibbon, "Decline and Fall of the Roman Empire"].
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References in periodicals archive ?
To me, the reply seems quite obvious: holy Tradition is not equivalent with Byzantinism since, besides the Byzantine tradition, it includes Latin, Russian and many other traditions as well.
Only towards the end of the 20th century did it become obvious that besides these traditions there existed a Patrologia Orientalis as well, the thriving world of "Oriental" theological traditions, deeply authentic in form and content; it became clear that Christianity cannot be reduced to either Byzantinism or Greece.
I shall state once again my belief that the universal Orthodox tradition is wider than Byzantinism, that not all that lies outside is either heresy or spiritual delusion.
The patristic heritage and modernity
It is difficult to believe everything Craft recorded Stravinsky as saving, considering in the next sentence Stravinsky goes oil to complain that he "was not aware of Phrygian modes, Gregorian chants, Byzantinisms, or anything of the sort" while writing this work, and he begrudges theorists who write otherwise.
A dialogue begins: Nadia Boulanger, Igor Stravinsky, and the Symphonie de psaumes

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