Caesar, Sid(Isaac Sidney Caesar), 1922–2014, American comedian, one of the stars of the "golden age of live television," b. Yonkers, N.Y. While performing in a World War II military show he met the producer Max Liebman who, impressed with Caesar's comic abilities, later sponsored him in club gigs and had him host the television variety show Admiral Broadway Review (1949). On Your Show of Shows (1950–54), in comedy that was generally driven by character or situation, Caesar performed skits, improvisations, satire, doubletalk rendered in dialect, and monologues, often with Imogene Coca and Carl Reiner. The show's brilliant corps of writers included Reiner, Neil SimonSimon, Neil
(Marvin Neil Simon), 1927–2018, American playwright, b. the Bronx, New York City. His plays, nearly all of them popular with audiences, if not always with critics, are comedies treating recognizable aspects of modern middle-class life.
..... Click the link for more information. , Mel BrooksBrooks, Mel,
1927–, American film director, writer, actor, and producer, b. New York City as Melvin Kaminsky. His earliest work was in television, notably as a gag writer for Sid Caesar's "Your Show of Shows" (1950–54).
..... Click the link for more information. , Woody AllenAllen, Woody,
1935–, American actor, writer, and director, one of contemporary America's leading filmmakers, b. Brooklyn, N.Y., as Allen Stewart Konigsberg. Allen began his career writing for television comedians and performing in nightclubs.
..... Click the link for more information. , Larry Gelbart, and Mel Tolkin. Coca went on to her own television show, and Caesar returned with Caesar's Hour (1954–57). After the 1950s his television career was largely reduced to guest appearances. He also performed in a number of movies, including It's a Mad, Mad, Mad, Mad World (1963), Silent Movie (1973), and Grease (1978).
See his memoirs, Where Have I Been? (1982) and Caesar's Hours (2003); T. Sennett, Your Show of Shows (rev. ed. 2002).
(1922–) pillar of zany 1950s comedy. [TV: “Your Show of Shows” in Terrace, II, 290–291]