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Related to Caesura: enjambment


1. (in modern prosody) a pause, esp for sense, usually near the middle of a verse line.
2. (in classical prosody) a break between words within a metrical foot, usually in the third or fourth foot of the line



in poetry, a regular break between words in a poem.

In classical poetry, a caesura usually occurred within a foot; in accentual-syllabic verse it usually coincides with the foot ending. The caesura occurs after the second foot in the iambic pentameter line, as in “Eshche odno ∥ poslednee skazan’e” (“Yet one last tale,” Pushkin); after the third foot in iambic and trochaic hexameter lines, for example, “Dni pozdnei oseni ∥ braniat obyknovenno” (“The days of late autumn are usually cursed,” Pushkin); and occasionally after the second foot in the amphibrachic tetrameter line, as in “Gliazhu kak bezumnyi, ∥ na chernuiu shal’” (“I gaze like a madman upon the black shawl,” Pushkin). The longer the line, the greater the need for a caesura. Usually a strong intonational pause, a caesura approaches the strength of a line ending. As with a clausula, the foot preceding a caesura may by truncated or augmented; it may also rhyme, for example, “Tri u Budrysa syna, ∥ kak i on, tri litvina” (“Budrys has three sons, like him, Lithuanians,” Pushkin).



in music, a division between sections of a musical work. Together with other factors, a caesura ensures the perception of the articulation of a work and its structure. There are no special markings to indicate a caesura; in part, phrasing ligatures permit their location to be judged. In a number of instances, a caesura coincides with natural pauses between notes; they always appear after melodic and harmonic cadences, after a hold, and at transitions to a repeat. The significance, or impact, of a caesura is proportional to the scale of the sections it divides and the degree to which they appear a completed entity. In a number of instances, varying opinions concerning the location and significance of a caesura are possible; together with other features, such differences mold the distinctiveness of individual interpretations.

References in periodicals archive ?
Admittedly a few of these caesuras are questionable; my count errs on the side of inclusion.
In The Open (2002), Agamben rehearses this argument: in our culture, he writes, the concept of life is never defined as such, it remains indeterminate and yet is each time articulated and divided through a series of caesuras and oppositions which "invest it with a decisive strategic function" in the most diverse fields: life is thus "what cannot be defined, yet, precisely for this reason, must be ceaselessly articulated and divided" (Open 13; emphasis in the original).
The increased use of caesura seems to reflect the psychic distress and fragmented reality of a speaker torn between duty and love.
Although Kavanagh is often judged, by his weakest work, as a slapdash writer, his use of full and assonantal rhyme, of enjambement, and caesura in 'Epic' is also vital for an understanding of Muldoon's development as a poet.
Her sensitive engagement of caesura, oxymoron, alliteration and understatement melds to make her themes authentic and accessible and breathtakingly transparent.
The sphere in Living Sculpture functions as a 'pregnant pause', as she describes it, providing a comma or a caesura within the piece.
He does find that the last years of his representative artists produce works "marked by a sharp stylistic break, a caesura or rupture in their mode of expression" (35) and he agreees with Russ McDonald (in Shakespeare's Late Style [2007]) on the difficulty and intransigence resulting from ellipsis, distillation, deformed phrases, directional shifts, and intricate syntax.
The Acting chairperson of specialized committee of legal affairs, Southern Sudan Legislative Assembly, Caesura Baya aid the youth legislators are on their way to constructive politic leadership of tomorrow and they will do their best to support the youth.
Unlike a recent spate of studies on Stadtburgertum, which play down the caesura of the revolutionary period, Aaslestad makes a clear case for rupture after 1790.
It is the prolongation and overarticulation of the word-final /n/ that bears all the bur den of generating discontinuity at the caesura.
In addition to the nuances occasioned by the unspecified relationship of the poem to Goethe's two plays, there is another nuance, on the level of prosody, occasioned by the caesura of the first verse.
in that department in 1972; his thesis was on "The Relation of Genre to the Incidence of the Dactylic Caesura in the Russian Six-foot lamb during the Eighteenth Century.