Camille Saint-Saëns

(redirected from Camille Saint Saens)

Saint-Saëns, Camille

 

(Charles Camille Saint-Saëns). Born Oct. 9, 1835, in Paris; died Dec. 16, 1921, in Algiers; buried in Paris. French composer, pianist, conductor, music critic, and public figure. Member of the Institut de France (1881); recipient of an honorary doctorate from Cambridge University (1893); honorary member of the St. Petersburg branch of the Russian Musical Society (1909).

In 1848, Saint-Saëns entered the Paris Conservatory, where he studied with F. Benoist (organ) and F. Halévy (composition). He served as an organist in the cathedrals of Paris (1853–77) and taught piano at the Ecole Niedermeyer (1861–65), where G. Fauré and A. Messager were among his pupils. Saint-Saëns was among the organizers of the Société Nationale de Musique (1871). He gave concerts in many countries, including Russia (1875, 1887), performing as a pianist and conductor and presenting primarily his own works.

Saint-Saëns wrote many works in diverse genres. His most brilliant compositions were instrumental works, especially symphonies and virtuoso concerti. A bright lyricism and noble ardor prevail in his compositions, the most outstanding of which include the opera Samson et Dalila (1877, Weimar); the Symphony No. 3 (with organ, 1886); the symphonic poem Danse macabre (1874); the Concerto No. 3 for Violin (1880) and the Introduction et rondo capriccioso (1863) for violin and orchestra; the second, fourth, and fifth piano concerti (1868, 1875, and 1896); the Concerto No. 2 for Cello (1902); and the orchestral fantasy The Carnival of the Animals (1886). Saint-Saëns wrote many books on music, the most important of which are Harmony and Melody (1885) and Portraits and Reminiscences (1899). He edited various music publications, including the complete works of J.-P. Rameau and several operas by C. W. Gluck.

REFERENCES

Rolland, R. “K. Sen-Sans.” In his book Muzykanty nashikh dnei, Sobr. soch., vol. 16. Leningrad, 1935.
Kremlev, Iu. K. Sen-Sans. Moscow, 1970.
Harding, J. Saint-Saëns and His Circle. London[1965].
References in periodicals archive ?
In keeping with the theme of this concert, our vocalists will be presenting operatic arias including "My Heart at Thy Sweet Voice" by Camille Saint Saens, "Caro Nome" by Verdi and the lovely "Barcarolle" duet from Offenbach's "Tales of Hoffman" which has been arranged by music director, Monty Adams.
It will also include Carnival of the Animals by Camille Saint Saens and songs from Andrew Lloyd Webber's musical Cats.
La seleccion de la musica ejecutada por la orquesta del Conservatorio se centra, asi mismo, en la exaltacion de la mexicanidad, pero encierra profecias que nadie se atreve a insinuar: Marche Heroique de Camille Saint Saens (1835-1921), Apotheose de la Grande Symphonie Funebre et Triomphale de Hector Berlioz (1803-1869), Marcha funebre de la opera Sigfrido de Richard Wagner (1813-1883) y, para rematar, el Himno Nacional.
Julian's weaved his music, set to lyrics by Berlie Doherty, around three classical pieces conjuring up witches, magic and death: Danse Macabre by Camille Saint Saens, Kikimora and The Enchanted Lake by Anatol Liadov and Sorcerer's Apprentice by Paul Dukas.
The program will include: "Danse Macabre" by Camille Saint Saens; "Harry Potter and The Chamber of Secrets" by John Williams; music from "Frozen" by Kristen Anderson-Lopez, Robert Lopez, and Christophe Beck; Imperial March" from "Star Wars: The Empire Strikes Back" by John Williams; "Phantom of the Opera" by Andrew Lloyd Webber; "The Black Cat Fugue" by Domenico Scarlatti and Jan Bach; and much more.