by Vecclii, and arranges them chronologically, from the publication of Vecchi's first two books of four-voice canzonettas
in 1578/79 and 1580 respectively, to the appearance of L'Amfiparnaso in 1597.
First Quarter: Red Orchid v Volga Empress, Kinielty Jazz v Missy Katie, Sandyman Magic v Fingal Developer, Adios Belle v Galbally Ellen, Cooga Music v Killahys Babe, Bermuda Magic v Runaway Mitzy, Canzonetta
v Smart Ali (Moat Ali), Peace And Quiet v Duchess.
Brief is the comment after Neifile's ballad: "Assai fu e dal re e da tutte le donne comendata la canzonetta
di Neifile [...]" (Dec.
Cabell and Guilmette blended perfectly in "Canzonetta
sull'aria." Julie Boulianne, who made quite an impression in Montreal as Massenet's Cen-drillon, was a brilliant Cherubino, vocally secure and dramatically convincing as a petulant adolescent with a lot of flair.
In Manchester, she will be joined on December 14 in a festive show, Christmas Wishes, by Canzonetta
Children''s Choir, Thomas Oliver and Raven String Quartet.
ACCOLADE born oboist Br ittlebank Finzi's Five Bagatelles are the featured work in a 1pm Platform recital by clarinettist Jennifer Lloyd-Wilkinson, accompanied by Gerald Coatman, on September 30, and Hexhamborn oboist Jennifer Brittlebank is joined by Simon Passmore for the Friday spot for Schumann's Drei Romanzen, Tomasi's Evocations, the Sonate by Poulenc and Barber's Canzonetta
. Jennifer won the Royal College of Music's accolade of Rising Star 2010 and has studied with international oboist Nicholas Daniel.
It consisted of three parts, the monumental Allegro Moderato, canzonetta
and Allegro vivacissimo.
TOMORROW Mozart Festival Orchestra, Canzonetta
choir, soprano Gail Pearson, conductor Gareth Hancock - Corelli, Bach, Mozart, Handel, Cullen, Pearsall: Birmingham Symphony Hall, 7.30pm.
The period music was particularly well integrated: "Celebrations of Venetian Glory" by Giovanni Gabrieli (c.1553-1612), mostly for scenes in Venice; "Canzonetta
: 16th century canzoni and instrumental dances," mainly for Belmont; "Venezia Stravagantissima: Balli, canzone e madrigal," to accompany Lancelot's entrance as a stand-up physical comedian for the debate between conscience and the devil; and "Maimonides-Edad de Oro de Sefarad en A1-Andalus" (Musica Antigua-Sefarad, Cordoba 1135, Cairo 1204) for the casket sequences with Morocco, and for the scenes in the Jewish Ghetto.
Selections include a variety of chorales, praeludiums, a toccata, a canzonetta
and two Magnificat settings, all by Buxtehude.