Carl Philipp Emanuel Bach


Also found in: Dictionary, Thesaurus, Wikipedia.
Related to Carl Philipp Emanuel Bach: Wolfgang Amadeus Mozart

Bach, Carl Philipp Emanuel

(fē`lĭp ĕmä`no͞oĕl bäkh), 1714–88, German composer; second son of J. S. Bach, his only teacher. While harpsichordist at the court of Frederick the Great, where his chief duty for 28 years (1738–67) was to accompany the monarch's performances on the flute, he wrote an important work on technique, Essay on the True Art of Playing Keyboard Instruments (1753, tr. 1949). After this artistically unsatisfying service with Frederick, Bach succeeded his godfather, Georg Philipp Telemann, as musical director at Hamburg. His 2 volumes of sonatas (1742–43) and his 20 symphonies established the typical classical forms of such works and powerfully influenced both Haydn and Beethoven. He also composed other keyboard music and sacred choral music. His craftsmanship was outstanding in the period between the baroque and classical periods.

Bibliography

See biography by E. Eugene Helm (1989).

Mentioned in ?
References in periodicals archive ?
The Music of Carl Philipp Emanuel Bach is packed with analytical and historical detail; the prose is lucid, but the sheer amount of information can be an obstacle to a casual reading.
We cannot play them like, for instance, early Haydn sonatas; we should rather abide by the directions of Carl Philipp Emanuel Bach, who claimed that when a musician aims to move the listeners, he must first experience the emotions himself.
Her book relies heavily on two important historical sources: Carl Philipp Emanuel Bach's Versuch uber die wahre Art das Clavier zu spielen and Daniel Gottlob Turk's Klavierschule.
Carl Philipp Emanuel Bach belongs among the few musicians who left a mark in the history of music well beyond his contributions as a famous virtuoso and a distinguished composer.
Yet the album's apex is Carl Philipp Emanuel Bach's sonata, remarkable in terms of harmony.
Also available is a facsimile edition of Bach's keyboard music: The Collected Works for Solo Keyboard by Carl Philipp Emanuel Bach, 1714-1788, ed.
Carl Philipp Emanuel Bach and Franz Benda, both employed by Frederick the Great in Potsdam, were desperately trying to break away from what had become a baroque strait-jacket of musical uniformity, creating instead sound-worlds which, in the words of Pavlo Beznosiuk, genial director of the AAM, promised us a "rather frenetic evening of avant-garde music - for the 1760s".
Carl Philipp Emanuel Bach: Keyboard works, vol.1 (Musical Heritage Society 513016T, rec 1992) is the first disc in a projected recording of all six volumes of C.
In the course of the first three decades of the twentieth century, Oscar Sonneck and Carl Engel assembled for the Music Division in the Library of Congress a major collection of manuscripts and early printed editions of the music of Carl Philipp Emanuel Bach. This article provides an inventory of these sources, as well as an examination of the provenance of several groupings of manuscripts that reflect common origins.
117.1 (H.220) by Carl Philipp Emanuel Bach (1714-1788) is widely popular among teachers and students alike--and with good reason.
The empfindsamer Stil (literally the "sensitive style"), distinguished above all for seriousness, intimacy, profundity and melancholy, was brought to its high point by Carl Philipp Emanuel Bach (his fantasia without bar lines is a textbook example).
CPE BACH Sonatas (Metronome): Turbulently transitional, composer Carl Philipp Emanuel Bach stands at the cross-roads between the learned but convoluted 'old world' as represented by the music of his great father, Johann Sebastian, and the more obviously sentimental, lyrical world to be created by composers such as Haydn, Mozart and even the young Beethoven.