Case Study 2: The Critical Reception of William Furst's Score for Cecil B. DeMille
's Joan the Woman (1916)
(7) The Autobiography of Cecil B. DeMille
, Donald Hayne, ed., (Englewood Cliffs: Prentice-hall, 1959) 305-6.
His name has been mentioned often -- and favorably -- in the reviews of Ridley Scott's "Exodus: Gods and Kings.'' There is a giant coffee table book out -- "Cecil B. DeMille
: The Art of the Hollywood Epic.'' This book, by Cecilia de Mille Presley and Mark Vieira, is everything DeMille's movies were -- stupendous, lavish, colorful, too much and not enough.
(70) (1) Cecil B. DeMille
, "Hedda Hopper's Hollywood," Los Angeles Times, 7 July 1939, 13.
As he explained: "Its four and a half hours long," Ronnie [Teri Garr] complains about Cecil B. DeMille
's 1956 version of The Ten Commandments.
Charlton Heston as Moses in Ten Commandments; Cecil B. DeMille
; Pelham Puppets' hand-painted policeman
Under thick layers of white foundation, painted spades and hearts and a red ball for a nose, a clown would always masquerade his true identity as he goes about entertaining the audience inside the tent of the world's greatest show on earth.Such is the story of Buttons (Jimmie Stewart), a clown working at a colossal traveling circus managed by Brad Braden (Charlton Heston) in Cecil B. DeMille
's 1952 The Greatest Show on Earth.
The 69-year-old actor, director, writer and producer will receive the Cecil B. DeMille
Award at the 64th annual ceremony, the Hollywood Foreign Press Association, which runs the awards, announced.
Skousen's friend, Cecil B. DeMille
, the famous movie director, suggested the title for the work, because it stripped away communism's facade, revealing the long-term goals of the communist agenda.
Scholars from around the world in music, literature, film, Spanish, and other fields explore productions by Cecil B. DeMille
, Jacques Feyder, Jean-Luc Godard, Francesco Rosi, and Carlos Saura, Rita Hayworth's version, and Marlene Dietrich's portrayal in The Devil is Woman.
Fans of old movies may recall a dramatic scene in Cecil B. DeMille
's 1952 epic The Greatest Show on Earth when the trapeze artist cuts his safety net and plunges to a crippling fall.