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a Japanese school, of 12th-century Chinese origin, teaching that contemplation of one's essential nature to the exclusion of all else is the only way of achieving pure enlightenment



one of the currents of Far Eastern Buddhism. The word “zen” itself is the Japanese pronunciation of the Chinese character transcribing the Sanskrit term dhyana (meditation, self-absorption); the Chinese pronunciation is ch’an. Zen developed in China during the sixth and seventh centuries under the strong influence of Taoism, from which Zen borrowed the disregard for knowledge and the conviction that the truth cannot be expressed in words but can only be attained by an internal leap, freeing the consciousness not only from the beaten paths of thought but from thought in general. Zen is characterized by a rejection of the established norms of intellect and morality and by a love of paradox, intuitivism, and spontaneity. The conceptual and artistic language of Zen is based on the laconic hint and rhythmic pause. Improvisation and intuitive action without any plan are of primary importance. These features of Zen can be understood as an expression of “freedom of the spirit” in a society where freedom is possible only as the unexpected, the unplanned, and the eccentric.

The first patriarch of Zen in China was the Indian prophet Bodhidharma (beginning of the sixth century), but the decisive role was played by the sixth patriarch Hui-neng (638-713) and Shen-hsiu (605-706). Zen flourished in China until the ninth century; in Japan it appeared in the 12th or 13th century. Zen has continued to exert an extensive influence on culture and ideology up to the present. In Zen the creative act is interpreted as a religious act, and this has had an enormous influence on Chinese painting, calligraphy, and poetry and on Japanese culture, especially since the Muromachi period (14th-16th centuries).

An idiosyncratic (vulgarized) variant of Zen flourishes among beatniks, who understand Zen as an ideology that rejects civilization.


Pomerants, G. “Dzen i ego nasledie.” Narody Azii i Afriki, 1964, no. 4.
Zavadskaia, E. V., and A. M. Piatigorskii. “Otzvuki kul’tury Vostoka v proizvedeniiakh Dzh. D. Selindzhera.” Narody Azii i Afriki, 1966, no. 3.
Suzuki, D. T. Essays in Zen Buddhism, series 1-3. London, 1953.
Watts, A. The Way of Zen. New York, 1957.
Blyth, R. H. Zen and Zen Classics, vols. 1-5. Tokyo, 1960-66.



Buddhist sect; truth found in contemplation and self-mastery. [Buddhism: Brewer Dictionary, 1174]


[Kehoe, B., "Zen and the Art of the Internet", February 1992.]


To figure out something by meditation or by a sudden flash of enlightenment. Originally applied to bugs, but occasionally applied to problems of life in general. "How'd you figure out the buffer allocation problem?" "Oh, I zenned it."

Contrast grok, which connotes a time-extended version of zenning a system. Compare hack mode. See also guru.


(1) A social collaboration platform. See blueKiwi ZEN.

(2) The code name for AMD's 2017 microarchitecture. See Ryzen.

(3) An open source virtual machine hypervisor. See Xen.
References in periodicals archive ?
However, I'll use Ch'an for the Chinese Zen; Son for the Korean Zen; Zen for the Japanese Zen, when I signify specific regional distinctions.
Ch'an was formulated at the Shaolin Temple which is the first Ch'an Buddhist Temple in the world.
Japan, through the influence of Ch'an Buddhism (Zen) carries the aesthetic to its extreme in many arts.
1990 `Derrida and the decentred universe of Ch'an Buddism'.
The Chinese treated the disease with ch'an su, the dried skin of the common toad.
From Chinese sources in Ch'an Buddhism and Taoism, Zen art came to employ the power of empty space to suggest mystery and evoke a meditative state of mind.
Foulk, "Sung Controversies concerning the 'Separate Transmission' of Ch'an," in Buddhism in the Sung, ed.
Dealing strictly in general tendencies, as particular strains of thought are too profuse to accommodate in this presentation, I will suggest that recent work in Ch'an Buddhism by Buddhist scholar Peter D.
Chinese Buddhism in the Ch'an tradition emphasizes the primacy
In conclusion, he makes a foray into Ch'an / Zen Buddhism and its Indian counterpart, viz.
Hershock's thought-provoking work, Liberating Intimacy: Enlightenment and Social Virtuosity in Ch'an Buddhism, jazz illustrates the subtle but crucial distinction between an ideal Ch'an master and quintessential Confucian sage, with the former compared to "a master of free jazz," a "true man of no rank" who embodies the "unhesitating and unhindered responsiveness," and the latter analogized as a jazz artist who remains "firmly embedded within the definitions of his place and develops a virtuosity akin to that of be-bop stylist" (Hershock 1996, 96).
Inventing Hui-neng, the sixth Patriarch; hagiography and biography in early Ch'an.