Charles Dullin

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Charles Dullin
BirthplaceYenne, Savoie
Film director, actor
The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Dullin, Charles


Born May 12, 1885, in Yenne, Savoy; died Dec. 12, 1949, in Paris. French director, actor, and teacher.

In 1905, Dullin began acting in theaters and cafés in the suburbs of Paris. From 1907 to 1921 he performed under the outstanding direction of A. Antoine, J. Copeau, F. Gėmier and G. Baty. In 1922, Dullin founded the Parisian Théâtre de I’Atelier and worked there until 1940. In the 1940’s he was an actor and director in the Théâtre de Paris, the Théâtre Sarah Bernhardt in Paris, and the Théâtre des Célestines in Lyon. He often played leading roles in his productions. These included Hebbel’s Mary Magdalene (1912, his first work as a director), Pirandello “Bellavita (1922, the first staging of this author in France), Jonson’s Volpone (1928, title role), Balzac’s Le Faiseur (1935, the role of Mercade), and Salacrou’s The World Is Round (1938, the role of Savonarola) and The Lenoir Archipelago (1947, the role of Lenoir). His most outstanding performances as an actor included his portrayals of Harpagon in Miliére’s The Miser and Smerdiakov in Dostoevsky’s The Brothers Karamazov. Dullin devised innovative stage designs and new acting techniques. He strove for simplicity and freedom of stage movements and placed much emphasis on music. He trained many outstanding actors and directors, including J. Willard, J. L. Barrault, M. Marceau, and R. Rouleau. Dullin is the author of Memoirs and Notes of an Actor (Russian translation, 1958).


Souvenirs et notes de travail d’un acteur. Paris, 1946.


Sarment, J. Charles Dullin. Paris, 1950.
Arnaud, L. Charles Dullin. Paris, 1952.


The Great Soviet Encyclopedia, 3rd Edition (1970-1979). © 2010 The Gale Group, Inc. All rights reserved.
References in periodicals archive ?
(4) Heir to Charles Dullin (1885-1949) and Firmin Gemier (1869-1933), the fathers of democratic theater in France, Vilar himself discovered theater through a Shakespeare history play, as he attended rehearsals of a Richard III directed by Dullin in 1933.
In the first half of the twentieth century, Charles Dullin (1885-1949) was not only one of the prominent figures of modern French theater, but also played a pivotal role in the French theater's interculturation of the East Asian theater.
He enrolled in Charles Dullin's School of Dramatic Art, studying with the renowned mime Etienne Decroux.
Artistic ventures such as Jacques Copeau's Theatre du Vieux-Colombier (1913-1924), Charles Dullin's Atelier (1921-1939), and Gaston Baty's Compagnons de la Chimere (from 1921), provided a forum for practical exploration of the value of scenic modes of expression.
Having failed in his first attempt to join an acting school, the unpaid Marais worked at the theater of Charles Dullin in return for acting classes.
Billetdoux studied at the Charles Dullin School of Dramatic Art and the Institut des Hautes Etudes Cinematographiques.