Charles Percier

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Percier, Charles

Born Aug. 22, 1764, in Paris; died there Sept. 5, 1838. French architect.

Percier and P. Fontaine, who worked together from 1794 to 1814, were arbiters of taste during the reign of Napoleon I and leading representatives of the Empire style. Their works were distinguished by a grandeur of form, which revived ancient Roman motifs, and an attempt to achieve a synthesis of architecture and the decorative arts, which at times resulted in a certain dryness and reduced effectiveness of the architectural forms. In addition to such monuments as the triumphal arch on Place Carrousel in Paris (1806), Percier and Fontaine designed furniture, interior decorations, and the decorations for various festivities.

WORKS

Recueil de décorations intérieures. Paris, 1812. (With P. Fontaine.)

REFERENCE

Fouche, M. Percier et Fontaine. Paris, 1904.

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The period is evoked in paintings, costumes and furnishings, and includes this 1804 throne chair by Charles Percier and Pierre-Francois-Leonard Fontaine.

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Made by Jacob-Desmalter to a design by Charles Percier, this lavishly gilt-bronze-mounted tour deforce was made to the same design as the King of Rome's cradle of 1811, now up the road in the Palace of Fontainebleau.

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The prince has furnished his tented study--inspired by the designs of Napoleon's favourite architects, Charles Percier and Pierre Fontaine--with an English Regency crocodile day-bed, in an allusion to Anglo-French rivalries in late 18th- and early 19th-century Egypt (Fig.

A royal connection: enchanted by European history since visiting France in his childhood, His Excellency Sheikh Hamad Bin Abdullah Al Thani has lovingly amassed a world-class collection of 18th- and early 19th-century courtly European art. He gave Apollo an exclusive tour of his remarkable private palace in Doha

1797-1801, after a design by Charles Percier, which was probably made by the French firm Jacquemart et Bernard.

Maastricht news: the world's most important art fair continues to throw up revelatory works in all media, says Samson Spanier

He had been a pupil of Charles Percier and was keen that his students should be familiar with the engravings by the great designer, as well as those by George Smith and T.

Golden-age style: James Yorke praises a comprehensive, richly illustrated survey of Danish neo-classical furniture that ranges from royal thrones to the sofa-sideboards of the middle classes