Charlotte Corday


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Charlotte Corday
Marie-Anne Charlotte de Corday d'Armont
Birthday
BirthplaceSaint-Saturnin-des-Ligneries, Écorches (in present-day Orne), Normandy, France
Died
Known for Assassination of Jean-Paul Marat

Corday, Charlotte

(Marie Anne Charlotte Corday d'Armont) (märē` än shärlôt` kōrdā` därmôN`), 1768–93, assassin of Jean Paul MaratMarat, Jean Paul
, 1743–93, French revolutionary, b. Switzerland. He studied medicine in England, acquired some repute as a doctor in London and Paris, and wrote scientific and medical works (some in English), but was frustrated in his attempts to win official recognition
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. Although of aristocratic background, she sympathized with the GirondistsGirondists
or Girondins
, political group of moderate republicans in the French Revolution, so called because the central members were deputies of the Gironde dept. Girondist leaders advocated continental war.
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 in the French Revolution and felt that Marat, in his persecution of the Girondists, was acting as the evil genius of France. She resolved to emulate the action of Brutus and destroy the "tyrant." Leaving her native Normandy for Paris, she gained an audience with Marat by promising to betray the Girondists of Caen and stabbed him (July 13, 1793) in his bath. She was guillotined.

Corday, Charlotte

 

(full name, C. Corday D’Armont). Born July 27, 1768, in St. Saturnin; died July 17, 1793, in Paris. Assassin of J.-P. Marat. From a gentry family of Normandy.

Corday fell under the influence of the Girondists, who had fled Paris and in June 1793 had organized a counterrevolutionary center in the city of Caen aimed at liquidating the Jacobin dictatorship. Corday came to Paris and gained entrance, on the pre-text of exposing the Caen conspirators, to Marat’s apartment on July 13, 1793. She stabbed the sick Marat through the heart. Corday was guillotined by order of the Revolutionary Tribunal.

References in periodicals archive ?
Charlotte Corday no intenta una fuga, pues no tiene como escapar rapidamente a un pais enemigo de la Revolucion.
If they let Charlotte Corday into a bloke's bathroom they shouldn't object to Charlotte Church.
The moral of this allegory teaches that supporting God, King, and Country means protecting women and children like Marie Antoinette, the Dauphin, and Charlotte Corday. According to the logic of Anglo-Irish writers like Francis Higgins at the Freeman's Journal, those "youthful minds" susceptible to Catholic liturgy and French rhetoric can be schooled by theater that speaks in plain imagery.
In his remembered report, which Dumas calls "Le Soufflet de Charlotte Corday," the narrator both retells and judges the Terror even as he represents collective memory through the jarring image of the detached, yet somehow living, body part--in this case, the talking head.
On July 13, 1793, Marie-Anne Charlotte Corday came to him with information about alleged counterrevolutionary conspiracies.
In Carlyle's portrayal of Charlotte Corday, this angel/demon dualism is established in the description of the murder of Marat: She is of stately Norman figure; ...
John Dunlop, trainer of Orchestra Stall, also scored with Nwaamis, who pipped Charlotte Corday on his first run since last May.
Some events are familiar from the history books: the women's march on Versailles; the brief period of the Paris Commune, before the tragic decline of the revolution into the Terror; the execution of the radical Marat by the Girondin Charlotte Corday. Other incidents are personal, often marking formative moments in key characters' lives.
David's painting of Marat Assassine with its disruptive inclusion of Charlotte Corday's letter and the exchanges between Cobbett and Priestley after the publication of Priestley's intercepted letters in different ways expose the confused welter of the intimate and public, the sentimental and political in which the epistolary mode functioned.
Madame Roland and Charlotte Corday were among the most famous, but they were only two of the 16,000 people executed during the Reign of Terror.(23) For the most part, observers were only interested in recording the execution of those who were well-known or members of the nobility, clergy, and upper-middle class.
The script is hugely entertaining as it pits actual historical characters such as Marie Antoinette, Charlotte Corday and the obscure writer Olympe de Gouges, as well as a fictional anti-slavery activist named Marianne Angelle, against each other in totally imaginary encounters.

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