Christa Wolf


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Wolf, Christa

 

Born March 18, 1929, in Landsberg. German writer (German Democratic Republic [GDR]).

Wolf studied German philology at Jena and Leipzig. In 1961 her work Moscow Novella was published. In the novel The Divided Sky (1963; Russian translation, 1964), Wolf writes of the complicated process of establishing socialist relations and morals in the GDR when there are two German states. The novella Meditations About Christa T. (1968), which is devoted to the problems of the contemporary intelligentsia, gave rise to disputes in the press. Wolfs prose is distinguished by deep psychologism in the portrayal of characters and sharp descriptions of social problems. She is also a literary critic and scriptwriter. Wolf was awarded the Heinrich Mann Prize (1963) and the National Prize of the GDR (1964).

WORKS

“Blickwechsel.” In Der erste Augenblick der Freiheit. Rostock, 1970.

REFERENCES

Simonian, L. “Liudi i Knigi.” Inostrannaia literatura, 1964, no. 1.
Klein, A. “Potrebnost’ v schast’e.” Voprosy literatury, 1965, no. 12.
Kharlap, L. “O tom, kak nakhodiat sebia.” Inostrannaia literatura, 1968, no. 10.
Schlenstedt, D. “Motive und Symbole in Christa Wolfs Erzahlung Der geteilte Himmel.” Weimarer Beiträge, 1964, no. 1.
Kähler, H. “Christa Wolf Elegie.” Sinn und Form, 1969, no. 1.

A. V. KAREL’SKII

References in periodicals archive ?
On September 16 at Paphos Castle Square an international production of Cassandre, based on the novel by Christa Wolf, will be staged.
The author has organized the main body of her text in six chapters devoted to Monika MaronAEs Stille Zeile Sechs and the psychic life of collaboration, mapping the topography of surveillance in Wolfgagn HilbigAEs oIcho, collaboration as collapse in the Stasi files and life writing of Monika Maron and Christa Wolf, and a wide variety of other related subjects.
Christa Wolf. Stadt der Engel, oder, The Overcoat of Dr.
Their topics include the Persephone figure in Eavan Boland's The Pomegranate" and Liz Lochhead's "Lucy's Diary," the subversive voice of Christa Wolf's Cassandra, female appropriation of violent authochthonous mythology through aesthetic transmission to the diaspora as seen in Nguyen Nguyet Cam's Two Cakes Fit for a King, and the languages of the Black Medusa in Dorothea Smartt and Maria Cristina Nisco.
The second part examines how the project of autobiographical writing shaped the work of five authors: Brigitte Reimann, Franz Fuhmann, Stefan Heym, Gunter de Bruyn, and Christa Wolf.
Christa Wolf's novel takes place within a specific context: a young state premised on achieving common and equitable prosperity requires every individual to contribute to that goal.
Although this is not apparent from the title or the chapter headings, Martens' book is for the most part a study of the work of Irmtraud Morgner and Christa Wolf, with Morgner's Trobadora Beatriz at the centre of its discussion.
Christa Wolf was arguably the most influential writer of a nation that no longer exists, the German Democratic Republic, where Soviet troops implanted a forty-four-year dictatorship to succeed the twelve-year catastrophe of the Thousand-Year Reich.
There are amazing similarities between Molinaro's Cassandra and the Cassandra novel of the German writer Christa Wolf, which it predates by four years.
Coetzee, Amitav Ghosh, George Orwell, Christa Wolf, Doris Lessing, Don DeLillo, and others.
Remotely, she reminds one of Christa Wolf's reinvented Cassandra figure, without the fictional/mythological endowment of the "seer" but coming very close to it: on the one hand, in Thea's lucidity and clear understanding of court intrigue; on the other, in her tolerance and grateful acceptance of help from people with supernatural gifts or scientific knowledge.