Christopher Isherwood


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Isherwood, Christopher

(ish`ərwo͝od), 1904–86, British-American author. After the appearance of his first novel, All the Conspirators (1928), Isherwood went to Germany. The four years he spent there furnished him with the material for what are probably his best novels, The Last of Mr. Norris (1935) and Goodbye to Berlin (1939; reissued as The Berlin Stories, 1946); these books formed the basis for John Van Druten's play, I Am a Camera (1951) and for the musical Cabaret (1966; film, 1972). The Berlin novels, which report on the period of social and political unrest during the Nazi rise to power, illustrate Isherwood's general concern with the problem of the intellectual in a tyrannical society.

A close friend of W. H. AudenAuden, W. H.
(Wystan Hugh Auden) , 1907–73, Anglo-American poet, b. York, England, educated at Oxford. A versatile, vigorous, and technically skilled poet, Auden ranks among the major literary figures of the 20th cent.
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, Isherwood collaborated with him on the dramas The Dog Beneath the Skin (1935), The Ascent of F6 (1936), and On the Frontier (1938), as well as on Journey to a War (1939), a book on China. Isherwood emigrated (1939) to the United States, becoming a citizen (1946). During the 1940s his interests turned to Hinduism; see his Essentials of Vedanta (1969). Among his later works are Prater Violet (1945), The World in the Evening (1954), Down There on a Visit (1962), A Single Man (1964), and Meeting by the River (1967) and a study of his parents, Kathleen and Frank (1971). Isherwood was an early advocate of discarding the taboos against homosexuality, a subject discussed in his memoir, Christopher and His Kind (1972).

Bibliography

See K. Bucknell, ed., Diaries (3 vol., 1997–2012) and The Animals: Love Letters between Christopher Isherwood and Don Bachardy (2014); his Lost Years: A Memoir, 1945–1951 (2000); and J. J. Berg and C. Freeman, ed., Conversations with Christopher Isherwood (2001); biography by P. Parker (2004); studies by C. G. Heilbrun (1970), P. Piazza (1978), S. Wade (1991), and K. Ferres (1994).

References in periodicals archive ?
IN 1965 AT UCLA, I took a class from Christopher Isherwood, and I recall him saying, "All I can do is to tell stories about my life.
In an interview with AFP before the announcement, Ford said: "One of the things I always loved about Christopher Isherwood .
In an answer to one on the relationship between autobiography and fiction he states that "The whole endeavor of the Christopher Isherwood persona in the novels is to be in the background as much as he can because what he is trying to do is tell a story.
CUTLINE: Writer Christopher Isherwood, left, and artist Don Bachardy are the subjects of the documentary "Chris and Don: A Love Story.
gt;In a nutshell: Deeply moving documentary about the 34-year romance between writer Christopher Isherwood and the much-younger artist Don Bachardy.
A pioneer for openly homosexual writers, Christopher Isherwood was known for more than just being a gay author--he was a master of his craft who didn't let that label control everything he did.
This created a somewhat different dynamic from that which I had suggested in the Audi Studio--tracing a path from Adolf Loos to Rudolf Schindler to John Cage to Co-op Himmelblau, or Christopher Isherwood to Reyner Banham to Frank Gehry to Greg Lynn--which was intended to add coherence to the LA scene.
Christopher Isherwood is well known for his collections of short stories about young people in Berlin in the 1930s.
I have always loved the Christopher Isherwood quote, "I am a camera, nay eyes wide open.
Swami Prabhavananda and Christopher Isherwood, trans.
I think this is largely responsible for the interest of western people in eastern religions which has been steadily growing since the 1930s and 1940s when writers like Christopher Isherwood, Somerset Maughm, and Aldous Huxley began to place eastern religious ideas before western readers.
16, 148) Even more relevant for their literary values and historical concerns are Christopher Isherwood and John Le Carre.