Claude Autant-Lara

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Autant-Lara, Claude


Born Aug. 5, 1903, in Luzarches, department of Val d’Oise. French film director.

Autant-Lara studied at a school for state design. He first worked in films in 1919 as a costume designer and set designer, later becoming an assistant director and then director. Under the influence of the avant-garde (a trend in French cinema), Autant-Lara made a number of experimental films. In 1930 he shot one of the first wide-screen movies, To Build a Fire (based on a story by J. London).

Autant-Lara’s first sound film was the comedy Chives (1933). During World War II he made the films Chiffon’s Marriage (1941), Love Letters (1942), and Gentle (1943), which were distinguished for their poetic sensitivity in conveying the psychological experiences of their heroes and for their dramatic presentation of events from the beginning of the century.

Social concern and antiwar protest characterize Autant-Lara’s postwar films, including The Devil in the Flesh (1947), Crossing Paris(\956), Thou Shalt Not Kill (1963), and Potatoes (1969). Among his best works is a film version of Stendhal’s novel The Red and the Black (1954). Autant-Lara also filmed the musical comedy Take Care of Amelia (1947), the tragicomedy The Red Inn (1951), and the melodrama Love Is My Profession (1958).

References in periodicals archive ?
Al amparo de esa ley fueron censuradas novelas como Eden, Eden, Eden, de Pierre Guyotat; Le Chateau de Cene, de Bernard Noel; J'irai cracher sur vos tombes y Les Morts ont tous la meme peau, de Boris Vian (Vernon Sullivan); la antimilitarista Diable au corps, de Claude Autant-Lara, y aun la pieza de teatro costumbrista Les Paravents, de Jean Genet.
It was also in the mid-1950s that Truffaut, then a young writer for the Cahiers who also directed "Shoot The Piano-Player," attacked the great French filmmakers of the time -- Claude Autant-Lara or Marc Allegret -- as a bunch of "bourgeois people making bourgeois films for the bourgeoisie.
In our obituary of the film director Claude Autant-Lara, page 18, February 7, we appeared to anticipate his death, saying that he died on February 12.
He had thoughts of becoming an artist as did so many filmmakers of his generation like Raymond Borderie or Claude Autant-Lara.
Aurenche, who died in 1992, worked for some 30 years with Pierre Bost, briefly played in pic by Christophe Odent, together penning some of the best known films by Claude Autant-Lara, Henri-Georges Clouzot and Rene Clement.
La novela de Georges Simenon En cas de Malheur ya habia sido filmada por Claude Autant-Lara en 1958 con el recordado Jean Gabin y Brigitte Bardot, el simbolo sexual de aquellos anos en Francia.