Claus Sluter

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Sluter, Claus


(also Claes Sluyter). Born circa 1340-50 in Haarlem (?); died January 1406 in Dijon. Burgundian sculptor.

A native of the Netherlands, Sluter settled in Brussels circa 1380 and in Dijon in 1385. In 1389 he became court sculptor to Philip the Bold. He directed the work on the monastery of Champmol on the outskirts of Dijon, being personally responsible for the execution of a series of statues for the portal of the mausoleum of the Dukes of Burgundy (c. 1391–97). Particularly noteworthy are his stone statues of Philip the Bold and his wife Margaret of Flanders. The expressiveness of these statues anticipates Sluter’s later works in stone.

From 1395 to 1406, Sluter worked with his nephew, Claus de Werve, on the composition Golgotha. Its pedestal, known as the Well of the Prophets or Well of Moses, has been preserved. The statues of the prophets, especially the powerful figure of the venerable Moses, are noted for their monumental generalization of form. They are remarkable as bold portrayals of the prophets’ strength and courage. Sluter also worked on the tomb of Philip the Bold, which had been begun in 1384 by Jean de Marville and was completed in 1411 by Werve. The tomb is housed in the Museum of Fine Arts in Dijon.

Sluter’s work had a significant influence on the development of Renaissance art in France, the Netherlands, and Germany.


David, H. Claus Sluter. Paris, 1951.
References in periodicals archive ?
La Crucifixion--integrada por Cristo, la Virgen y San Juan Evangelista-85 deriva del famoso Calvario que presidia el cementerio de la Cartuja de Champmol (86), ejecutado entre 1396 y 1399 por Claus Sluter con la colaboracion de Claus de Werve, del que por desgracia unicamente nos han llegado algunos fragmentos (87).
Un rastreo cuidadoso de la plastica borgonona ha permitido corroborar esta filiacion y nos ha conducido siempre a las mismas fuentes: Jean de Marville, Claus Sluter y Claus de Werve.
Aunque ha pasado bastante desapercibida y normalmente no se incluye en el elenco de realizaciones vinculadas a Lome y su circulo (129), resulta innegable su derivacion de una famosa escultura borgonona, la Virgen que preside el portal de la Cartuja de Champmol, labrada por Claus Sluter, tras la muerte de Marville, en 1389 (130).
MORGANSTERN, "Le tombeau de Philippe le Hardi et ses antecedents", Actes des Journees Internationales Claus Sluter (september 1990), Dijon, 1992, pp.
TROESCHER, Claus Sluter und die burgundische Plastik um die Wende des XIV Jahrhunderts, Freiburg im Breisgau, 1932, p.