Clemens Brentano


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Brentano, Clemens

 

Born Sept. 8, 1778; died July 28, 1842. German writer. Son of an Italian merchant.

Brentano compiled The Boy’s Magic Horn (1806-08), a collection of German popular fairy tales and songs, jointly with L. A. von Arnim. Brentano wrote ballads and stories in the popular style (The Story of Brave Kasperl and Beautiful Annerl, 1817), fairy tales (Gockel, Hinkel and Gackeleia, 1847), and the novel Godwi (1800). He combined realistic portrayal with mystical themes characteristic of German romanticism.

WORKS

Gesammelte Schriften, vols. 1-9. Frankfurt am Main, 1852-55.
Ausgewählte Gedichte. Berlin, 1943.
In Russian translation:
In Nemetskaia romanticheskaia povest’, vol. 2. Moscow-Leningrad, 1935.

REFERENCES

Heine, H. “Romanticheskaia shkola.” Sobr. soch., vol. 6. Moscow, 1958.
Zhirmunskii, V. M. “Problema esteticheskoi kul’tury v proizvedeniiakh geidel’bergskikh romantikov.” In the collection Zapiski neofilologicheskogo obshchestva, issue 8. Petrograd, 1915.
Mallon, O. Brentano Bibliographic Berlin, 1926.
References in periodicals archive ?
Only modestly educated, she never attempted to write down what she experienced, but she won the interest and admiration of the German Romantic poet Clemens Brentano.
German writer Clemens Brentano met her, was converted, and stayed at the foot of her bed copying the visionary's accounts from 1818 to 1824.
First published in 1833, The Dolorous Passion of Our Lord Jesus Christ is a work based on visions of Anne Catherine Emmerich, a stigmatic German nun of the Augustinian order expected to be beatified soon, as recorded by author Clemens Brentano.
This book, however, was not written by the virtually illiterate nun herself but by the poet Clemens Brentano, based on conversations with her (see our article C.
Youens describes at length the painful relationships between the idiosyncratic, tormented Luise Hensel and each of four men: the poet Wilhelm Muller, the writer Clemens Brentano, the statesman Ludwig von Gerlach, and the composer Ludwig Berger.
He contrasts Goethe's treatment of self-reflection with that of Friedrich Schlegel in Lucinda, Novalis in Heinrich von Ofterdingen, and Clemens Brentano in Godwi.