Cole Porter

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Related to Cole Porter: George Gershwin
Cole Porter
BirthplacePeru, Indiana, U.S.

Porter, Cole,

1891–1964, American composer and lyricist, b. Peru, Ind., grad. Yale, 1913. Porter's witty, sophisticated lyrics and his affecting melodies place him high in the ranks of American composers of popular music. He was an elegant and debonair man, in spite of a riding accident (1937) that left him crippled. He studied music at Harvard and with D'Indy at the Schola Cantorum in Paris. After one early failure, most of his musicals were vastly successful. They include Greenwich Village Follies (1924); Gay Divorce (1932); Anything Goes (1934); Jubilee (1935); Red, Hot and Blue (1936); Du Barry Was a Lady (1939); Panama Hattie (1940); Something for the Boys (1943); Kiss Me, Kate (1948); Can-Can (1953); and Silk Stockings (1955). Among Porter's film scores are Born to Dance (1936) and High Society (1956). His most popular songs include "Night and Day," "Begin the Beguine," "Let's Do It," and "In the Still of the Night."


See The Cole Porter Song Book (1959); R. Kimball, ed., The Complete Lyrics of Cole Porter (1983) and Cole Porter: Selected Lyrics (2006); biography by W. McBrien (1998); R. Kimball, ed., Cole (1971, repr. 2000).

Porter, Cole (Albert)

(1891–1964) composer, lyricist; born in Peru, Ind. Born into a family of some wealth and social standing, he showed a talent for music early, publishing a song by age 11. He graduated from Yale (1913)—where he wrote the famous Yale fight song, "Bulldog, Bulldog"—and after briefly studying law at Harvard, shifted to music. He went off to Paris to continue his music studies (1920–21), and from then on tended to spend much of his time with the rich international set who moved between the U.S.A. and Europe. In 1937 he was left seriously injured by a riding accident but he continued to travel and to compose. Although his first forays into musicals in the early 1920s were box-office failures, several songs were made popular by well-known performers. He composed his first full score for Paris (1928), which included the risqué "Let's Do It," and for almost three decades he wrote a dazzling series of successful film scores and Broadway musicals. From the musical, Gay Divorce (1932), came the classic "Night and Day," which he said was inspired by Moroccan drums and an Islamic chant. The standard "I've Got You Under My Skin" was first heard in the film Born to Dance (1936). Adapted from Shakespeare, his most famous musical, Kiss Me, Kate (1948), enjoyed a long Broadway run and was made into a popular film. His last Broadway musicals, Can-Can (1953) and Silk Stockings (1955), also enjoyed successful runs. High Society (1956) was his most successful film musical. Although many of his works reflect the brittle sophistication of his social circle, no American composer ever quite topped the sheer artistry, elegance, and wit of his music and lyrics.
References in periodicals archive ?
Here is a musician who pairs Bach and Bartok, Cole Porter and Celtic Hornpipe.
But it was Cole Porter himself who really stole the show, with his stream of wonderfully crafted melodies, clever lyrics and wicked rhyming couplets.
Cole Porter Night and Day will have its own production of "Anything Goes," carefully restored to its 1934 form.
Birnbaum (the New Yorker who rooted for Manny Ramirez) holds the Cole Porter Fellowship from APA, awarded in May 2004 at APA's sixth Triennial American Jazz Piano Competition, and he will play jazz.
DE-LOVELY is a musical biopic of legendary composer Cole Porter, starring Kevin Kline as the entertainer, torn between his wife and the many young men in his life.
Big budget movies about Ray Charles,udget movies about Ray Charles, Bobby Darin, Johnny Cash and Cole Porter are currently in production.
A record that was lyric-driven, like Cole Porter stuff, that also had a lot of swing.
The cover mimics those flea-market treasures with a swanky photo, vintage typefaces, and credits attributing songwriting to Cole Porter, Frank Sinatra, and Hoagy Carmichael, all bald-faced lies.
Scott Fitzgerald, Ernest Hemingway, John Dos Passos, Archibald MacLeish, Dorothy Parker, Pablo Picasso, Fernand Leger, Igor Stravinsky, and Cole Porter.
It is more than 20 years since the society last staged this delightful show which is packed with memorable Cole Porter songs including, I Get a Kick out of You, You're The Top, It's De-Lovely, and of course, the title song, Anything Goes.
Racette painstakingly combed through hand-written manuscripts, famous musicians' fake books, vintage sheet music and, through a transaction made with a rare book dealer, Ethel Merman's very own copy of Cole Porter lyrics.
Here, her seductive vocal and piano stretch solos are used to full effect in updating the Cole Porter songbook.