Comédie-Française

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Comédie-Française

(Théâtre-Francais) world’s oldest established national theater. [Fr. Hist.: EB, III: 33]
See: Theater
References in periodicals archive ?
He cites Pierre Fresnay's 1925 Fantasio at the Comedie-Francaise as a turning point in Musset's theatrical fortunes, as performance in the interwar theater revealed the modernism in Musset that made him the most performed nineteenth-century playwright in the twentieth and twenty-first centuries.
When the professional theatre was established in Paris in the 1630s, no women specialized in comic character roles; by the end of that century, the troupe of the Comedie-Francaise included Mlles Desbrosses, Godefroy, Champvallon, and Du Rieu in the emploi of caracteres.
Ek neem julle na die Restaurant du Theatre op die plein voor die Comedie-Francaise.
Est-ce la faute de la Comedie-Francaise si l'une de ses societaires a prefere passer phenomene que de demeurer artiste?
His play was enormously popular; parodied, translated, and performed 488 times at the Comedie-Francaise between 1732 and 1936.
Their topics include the Italian background of his void notation and its implications, sensual imagery and musical depiction in his petits motets, the singers and instrumentalists of the Chapelle Royale in 1663-83 and beyond, evidence from his Melanges autographes for performance practices at the Theatre de Gueenegaud and the Comedie-Francaise, the historical implications of a distinctive scoring as exemplified by his six-voice motets for Mademoiselle de Guise, intertextual links and the posterity of his opera, and reflections on his Les plaisirs de Versailles and Michel-Richard de Lalande's Les fountaines de Versailles.
In his analysis of Sade's spectacular tragedy feanne Laisne (rejected by the Comedie-Francaise in the early 1790s), Michel Delon argues that the marquis follows Voltaire's conception of history as the appreciation of the past's way of life, mindset, and morality.
WHEN was France's national theatre, the Comedie-Francaise, founded?
Philippe Martinon (1913) is uncompromising and goes as far as harshly criticizing the practice of the revered Comedie-Francaise: "But the actors especially overexert strangely [liaisons], either because of hypercorrection, or to make themselves better understood, and that at the Comedie-Francaise as well as other places, more than other places, alas
Las lineas siguientes no pretenden mas que analizar un ejemplo que permita hacernos una idea, provisional hasta la realizacion de estudios mas amplios, de una gira madrilena de una compania semioficial, formada por componentes de la prestigiosa Comedie-Francaise, y de su acogida, especialmente por la critica, de modo que quede iluminada una nueva pequena parcela del teatro de la posguerra civil y, de paso, se manifieste o no su continuidad respecto a la escena anterior a 1936, mucho mejor conocida y apreciada.
Miquel's eight years, during which the Comedie-Francaise took over the Theatre du Vieux-Columbier on the Left Bank, and opened the Studio-Theatre in the Carrousel du Louvre, for experimental works.
The third chapter, "'The Parterre Becomes an Actor,' 1680-1725," is about the "critical juncture" when the parterre came to power in the French theatre (10); Ravel covers such areas as the Comedie-Francaise versus the Comedie-Italienne and spectators at fairground theatres, then culminates in a discussion of the Parterre's role in ruining the 1724 production of Voltaire's Mariamne.