Cornish literature


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Cornish literature.

The literature of the Celtic language of Cornwall, which has been spoken only by bilingual speakers since the late 18th cent. The surviving pre-1800 literature consists largely of a few miracle playsmiracle play
or mystery play,
form of medieval drama that came from dramatization of the liturgy of the Roman Catholic Church. It developed from the 10th to the 16th cent., reaching its height in the 15th cent.
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, mostly of the 15th cent. With the exception of the Life of St. Meriasek, they are usually on biblical subjects. The plays closely resemble Breton drama. Also surviving is the Middle Cornish narrative poem The Passion of Our Lord. Since the 20th cent. there has been a concerted effort to revive spoken and written Cornish, which has met with minor success.

Bibliography

See R. M. Longsworth, The Cornish Ordinalia (1967); E. Norris, ed., Ancient Cornish Drama (2 vol., 1859; repr. 1968).

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References in periodicals archive ?
Berresford Ellis, The Cornish Language and Its Literature (London: Routledge and Kegan Paul, 1974), 37-38; Brian Murdoch, Cornish Literature (Cambridge: D.
(1960-97; reprint, Felinfach: Llanerch, 1997), 2:118-28; Murdoch, Cornish Literature, 101.
Some people might argue that, on the one hand, Kernewek Kemmyn is to be preferred since its phonemic nature makes it pedagogically advantageous; and that, on the other hand, the reconstructed phonology on which Kernewek Kemmyn is based has a sound academic foundation grounded in the study of the traditional historic corpus of Cornish literature. However it is clear that neither of these claims stands up to scrutiny.
Cornwall as such (and Cornish literature) has been studied as an independent topic far more so than has Dorset, of course, so that some of the entries are relatively familiar: the reference to a `Mirable' play at Sancreed (520), for example, or the possession of `torme[n]teris cotes' in Bodmin (473).