Dance Theatre of Harlem


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Dance Theatre of Harlem,

the first black classical ballet company. The group was founded in Harlem, New York City, by Arthur MitchellMitchell, Arthur,
1934–2018, American dancer and choreographer, b. New York City. Mitchell studied in New York City at the School of American Ballet and appeared on Broadway and with various companies at home and abroad.
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, then of the New York City Ballet, the first African-American principal dancer of a classical company of international standing, and the ballet master Karel Shook (1920–85). The company began as a school for 30 students in the summer of 1968. Classes were conducted with the doors open so that passersby could watch the students at the barre; at the end of the summer the school had 400 students. Mitchell began taking his students on lecture-demonstration tours in 1969, and by 1970 had a professional company of 20. The group debuted in 1971 at the Guggenheim Museum in New York City and performed later that year at the Spoleto festivalSpoleto Festival,
also called Festival of the Two Worlds, annual summer arts festival held in Spoleto, Italy. Founded by the composer Gian-Carlo Menotti and the conductor Thomas Schippers, the festival has been held annually since 1958.
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 in Italy. After two European tours and three national tours, the company had its successful first full season in New York City in 1974. With a style based upon 20th-century classicism, the Dance Theatre of Harlem is noted for graceful and vigorous performances of works by such choreographers as George BalanchineBalanchine, George
, 1904–83, American choreographer and ballet dancer, b. St. Petersburg, Russia, as Georgi Balanchivadze. The son of a Georgian composer and a Russian mother, Balanchine attended (1913–21) the Imperial Ballet School, St.
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, Jerome RobbinsRobbins, Jerome,
1918–98, American choreographer and dancer, b. New York City as Jerome Wilson Rabinowitz. Robbins began his career dancing in musicals (1937). In 1940 he joined the Ballet Theatre and in 1948 became associate artistic director of the New York City Ballet.
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, and Mitchell. In 1981 it became the first African-American ballet company to have a season at Covent Garden, London, and in 1982 the company had its first season at the Metropolitan Opera, Lincoln Center, New York City. Its dancers have included Stephanie Baxter, Virginia Johnson, Eddie Shellman, Mel Tomlinson, Donald Williams, and Alicia Graf. Economic difficulties resulted in a strike (1997), subsequent financial belt-tightening, and temporary shutdowns of the school (2004) and company (2004–12). Virginia Johnson succeed Mitchell as artistic director in 2009. The company also sponsors an educational and community outreach program, Dancing through Barriers.
References in periodicals archive ?
Anniversaries are big this summer, too, with the Pillow debut of Compagnie CNDC-Angers/Robert Swinston to mark the Cunningham Centennial, Dance Theatre of Harlem continuing its 50th-anniversary celebrations, and Mark Morris Dance Group looking ahead to its 40th in 2020.
In 1968, impacted by the assassination of Martin Luther King Jr, Mitchell started a dance school that grew the next year to include the Dance Theatre of Harlem.
It worked with Dance Theatre of Harlem to offer a series of performances and workshops aimed at underserved communities that include youths of different racial, ethnic and economic groups.
On the brink of extinction a few years ago, the Dance Theatre of Harlem will launch a tour this January to celebrate its 40th anniversary.
So far, more than 150 nonprofit groups have joined, among them Gay Men's Health Crisis, Dress for Success, Broadway Cares/Equity Fights AIDS, God's Love We Deliver, Central Park Conservancy, People for the American Way, Habitat for Humanity, Dance Theatre of Harlem and local chapters of the Susan G.
Dancers from the Dance Theatre of Harlem performed.
Regrettably, I never had the chance to work with Katherine Dunham during my 22-year career as a ballerina with the Dance Theatre of Harlem. However, as my friends at the Alvin Ailey American Dance Theater rehearsed and prepared The Magic of Katherine Dunham, I lived vicariously through their precious opportunity to learn from one of "America's Irreplaceable Dance Treasures," as the Dance Heritage Coalition declared Dunham in 2000.
Kaiser, who has worked to make both The Dance Theatre of Harlem and the Alvin Ailey American Dance Theater more financially stable, agrees that an effective board of directors is a necessity for any nonprofit organization.
EXPLOSIVE doesn't come close to describing the sheer magic of the Dance Theatre of Harlem's triple bill.
The world renowned Dance Theatre of Harlem is at Newcastle's Theatre Royal tonight and tomorrow.
Dance Theatre of Harlem was founded 35 years ago, following the assassination of Martin Luther King.
Shortly after the assassination of Martin Luther King Jr., Mitchell launched the School of Dance Theatre of Harlem. And in 1971, his neoclassical ballet company, known as Dance Theatre of Harlem, made its debut.