Daphnis

Daphnis (dăfˈnĭs), in Greek mythology, shepherd, the son of Hermes and a nymph. He was unfaithful to a nymph who loved him, and in revenge she blinded him. He tried to comfort himself by playing melancholy songs upon the shepherd's pipes, and his friends lamented for him in song. Daphnis was revered as the inventor of pastoral music.

The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Daphnis

in Greek mythology, a Sicilian shepherd of extraordinary beauty, inventor of pastoral songs executed to the accompaniment of a flute. He was the son of Hermes and a nymph who abandoned her son at birth. According to one version of the myth, Daphnis, blinded by his beloved for not keeping the oath of fidelity, cast himself into the sea from a rock (or was transformed into a rock). Another version is that he died of unrequited love. The Daphnis myth has been used in classical literature (Theocritus, Vergil, and Long) and in bucolic poetry of the 17th— 18th centuries.

Daphnis

shepherd; invented pastoral music to console himself. [Gk. Myth.: Parrinder, 72; Jobes, 414]

See: Music

Daphnis

afraid of causing pain, does not deflower Chloë. [Gk. Lit.: Daphnis and Chloë, Magill I, 184]

See: Noblemindedness

Daphnis

Sicilian shepherd-flautist; invented bucolic poetry. [Rom. Myth.: LLEI, I:326]

See: Pastoralism

Daphnis

creator of bucolic poetry. [Gk. Myth.: Kravitz, 75]

See: Poetry

Daphnis

guards sheep; creator of bucolic poetry. [Gk. Myth.: Kravitz, 75]

See: Shepherd

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References in periodicals archive ?

This NASA image released March 28, 2019, shows how during super-close flybys of Saturn's rings, NASA's Cassini spacecraft inspected the mini-moons Pan and Daphnis in the A ring; Atlas at the edge of the A ring; Pandora at the edge of the F ring; and Epimetheus, which is bathed in material that fans out from the moon Enceladus, the mini-moons' diameter ranges from 5 miles (8 kilometers) for Daphnis to 72 miles (116 kilometers) for Epimetheus, the rings and the moons depicted in this illustration are not to scale.

New close-ups of the mini-moons in Saturn's rings

The scene in Longus, where Lycaenion sexually initiates Daphnis, is a case in point.

The early modern transmission of the ancient Greek romances: a bibliographic survey

This is the first time Daphnis has stepped out from the company to present his own work.

A look at the alternative stage

029 2039 1391 MUSIC Daphnis et Chloe The BBC National Orchestra of Wales and chorus depict love and loss in ancient Greece through Ravel's score for the ballet Daphnis et Chloe, commissioned by Serge Diaghilev.

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Although he has been plying his trade in handicaps this season the four-year-old does already boast a victory at this level to his name after landing the Prix Daphnis at Chantilly last June.

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2, and his production of Daphnis et Chloe was in the works long before he was even in the running for the coveted director gig, but this was the perfect opportunity for ballet fans and critics alike to train their eyes on the director-to-be.

Benjamin Millepied Puts on a Show at the Paris Opera Ballet

Ravel's Daphnis and Chloe Suites 1 & 2 showed the orchestra and soloists at their best.

Intensity leads to majestic playing; Review

Le celebre choregraphe, Jean Claude Gallotta, presente ce pas de trois, il en a moins retenu l'argument (Chloe, epouse du jeune berger Daphnis, enlevee par des pirates est ramenee a lui par un miracle du Dieu Pan) qu'il a travaille le mouvement, saisi l'energie, la douceur, la violence de la joute amoureuse.

Renversant

At the heart of Ravel the Decadent is an extensive consideration of the composer's magnum opus, Daphnis et Chloe, which Puri addresses in all but one of the book's six chapters.

Puri, Michael J.: Ravel the Decadent: Memory, Sublimation, and Desire

Puri identifies this conflict in Ravel's music: for example, in the dialectical relationship between the idyll and the bacchanal movements of his ballet Daphnis et Chloe.

Ravel the Decadent: Memory, Sublimation, and Desire

The topics include less than ideal paradigms in the Greek novel, the literary context of Anthia's dream in Xenophon's Ephesiaca, Platonic love and erotic education in Longus' Daphnis and Chloe, poets and shepherds in Philetas and Longus, and further thoughts on the divided cloak in the Historia Apollonii regis Tyri.

Echoing narratives; studies of intertextuality in Greek and Roman prose fiction

I was dazzled by the brilliance and chutzpah of David Briggs' transcription / recreation of three pieces from Ravel's ballet Daphnis and Chlo.