Thomas De Quincey

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De Quincey, Thomas

(də kwĭn`sē), 1785–1859, English essayist. In 1802 he ran away from school and tramped about the country, eventually settling in London. His family soon found him and entered him (1803) in Worcester College, Oxford, where he developed a deep interest in German literature and philosophy. He left Oxford in 1808 without completing his degree and settled (1809) at Grasmere, where he made the acquaintance of Wordsworth. By 1817 the opium habit, which he had begun while at Oxford, had reached its height. He achieved literary eminence with the publication of his Confessions of an English Opium-Eater (1822), which first appeared in the London Magazine in 1821. It is an account of the progress of his drug habit, including descriptions of the bizarre and spectacular dreams he had while under the influence of opium. He became a prolific contributor to various journals, especially to Blackwood's, Edinburgh, after 1825. Among his best works—all written in a polished, highly imaginative, and discursive prose—are "On Murder Considered as One of the Fine Arts," "Suspiria de Profundis," "On the English Mail-Coach," "On the Knocking at the Gate in Macbeth," and Autobiographic Sketches (1853).


See his letters (ed. by W. H. Bonner, 1936); his diary for 1803 (ed. by H. A. Eaton, 1927); biographies by E. Sackville-West (1936), H. A. Eaton (1936, repr. 1972), G. Lindop (1981), and F. Wilson (2016); studies by J. E. Jordan (1952, repr. 1973), A. Goldman (1965), V. A. DeLuca (1980), and R. L. Snyder, ed. (1986).

De Quincey, Thomas


Born Aug. 15, 1785, in Manchester; died Dec. 8, 1859, in Edinburgh. British author.

In his autobiographical work Confessions of an English Opium-eater (1822; Russian translation, 1834), De Quincey combined the story of his life of poverty with descriptions of his visions under the influence of narcotics. He published a newspaper which had a conservative orientation. In his literary affinities he was close to the poets of the lake school. He wrote works on Shakespeare, Milton, Shelley, and Keats and contributed to the development of decadent literature.


The Collected Writings, vols. 1–14. Edited by D. Masson. London, 1896–97.


Istoriia angliiskoi literatury, vol. 2, issue 1. Moscow, 1953.
Proctor, S. K. Thomas De Quincey’s Theory of Literature. New York, 1966. (Bibliography, pp. 299–306.)
Green, J. A. Thomas De Quincey: A Bibliography. New York [1968].
References in periodicals archive ?
(54) QUETREMERE DE QUINCY, ANTOINE C., Lettre sur le prejudice qu'occasionneraient aux Arts et a la Science le deplacement des monuments de l'art de l'Italie, le demembrement de ses Ecoles, et la spoliation de ses Collections, Galeries, Musees, Roma, 1815.
Indeed, judging by Canova's exchange of letters with Quatremere de Quincy on 6 February and 2 March 1816, he probably never knew about the Projet d'echange and had abandoned the idea of buying back his statue almost immediately after making the initial enquiries.
(16.) Cette pensee est developpee des 1815 par Quatremere de Quincy (1989).
But, if Coleridge ultimately eschews the pleasures of opium for the proper body, then, as Youngquist argues in the latter chapter, Thomas De Quincey chooses the opposite path: "De Quincy resists reaching beyond his body to affirm the life, the pleasurable life, of the mind" (119).
Humourless Thomas de Quincy, perhaps because he couldn't do it himself, was funambulatorily dismissive of it in Confessions of an Opium-Eater (1856):
Me gusta inclusive Michael Jackson, porque los arreglos de Quincy Jones son fascinantes; ademas, Michael Jackson es fascinante porque tiene una voz sensacional.
The Romantic Art of Confession: De Quincy, Musset, Sand, Lamb, Hogg, Fremy, Soulie, Janin.
Tanto Quatremere de Quincy como Chaveau-Lagarde, su defensor en el juicio de 1793, relacionan ese caracter de "filosofo" con su devocion por la Grecia clasica.
The last complete history of Louis XIV's campaigns was the marquis de Quincy's seven-volume Histoire militaire de Louis le Grand roi de France (1727).
Ademas de la participacion en festivales de Viena, Perugia, Estambul y Nimes, en 1996 el grupo actuo en el Festival de Jazz de Monteaux como invitado especial de Quincy Jones para celebrar sus 50 anos en el mundo musical.
The following two chapters of Danahay's book continue the discussion of the autobiographical exclusion of the social in Romantic literature by turning to Coleridge, De Quincy, Percy Bysshe Shelley, and Mary Shelley.