Deutschland über Alles

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Deutschland über Alles

German national anthem. [Ger. Music: Misc.]
References in periodicals archive ?
Last week, Kristin Rose-Moehring, the German Family Ministry official responsible for gender equality, proposed two changes to the lyrics of the national anthem -- the last remaining verse of August Heinrich Hoffman von Fallersleben's Deutschlandlied, written in 1841 to Joseph Haydn's earlier hymn to Holy Roman Emperor Francis II.
com/topic/Deutschlandlied) Deutschlandlied ," from 1841, written nearly a century before Adolf Hitler rose to power but later used by his Nazi party for propaganda purposes.
But he isn't just giving his support to the Ireland squad on October 11 - Johnny's also going to be singing Das Deutschlandlied.
Once there, he sits beside the Wurstfest stage, and after a few polkas, some yodeling, and the Deutschlandlied, quietly leaves.
And being a largely World Cup-free zone a German dog, even one that, since the afternoon of June 27 has cockily taking to barking out the Deutschlandlied, creates little interest.
If it had been left to Blair and his Scottish successor, we'd all be waving the flags of the EU commission - and be urged to sing Das Deutschlandlied with the same vigour as God Save The Queen after the teams walk out of the tunnel today.
The book now edited by Katharina Hall starts with Dischereit's previously unpublished text, "Mama, darf ich das Deutschlandlied singen" (Mom, may I sing the German national hymn?
I was sick of seeing him stood on the top of a podium every two weeks, I was fed up of knowing the words to Das Deutschlandlied.
The lyrics from the anthem Das Deutschlandlied translate as"Germany above all" and were written in 1841 as a rallying call for a unified Germany.
The lyrics from the anthem Das Deutschlandlied translate as 'Germany above all' and were written in 1841 as a rallying call for a unified German nation, but the meaning was later hijacked by the Nazi's as a statement of racial superiority.
The British singer incurred the wrath of concertgoers at Munich's on3 live event as he began performing Deutschland Uber Alles, a part of Deutschlandlied used for German propaganda under Nazi rule.
Bernd Sponheuer outlines the main characteristics of Germanness in music, though he too finds it in the writings of musicologists, not in the compositions or performances of artists; similarly, Jorst Hermand presents the Deutschlandlied as a product of nineteenth-century romanticism about which there was nothing imperialistic or proto-fascist.