Crooned by Ankit Tiwari and
Dhvani Bhanushali, the song has been penned by Prince Dubey.
"We are promoting many other talented new singers like Milind Gaba,
Dhvani Bhanushali, and more.
This is possible only by acquainting the UG and PG students with certain concepts such as the notions of rasa and
dhvani of Indian Aesthetics, and in this, the book largely succeeds.
Fans can expect to hear their favorite songs as well as his new single, Ishare Tere, featuring
Dhvani Bhanushali.
This theory, we are told, was a refutation of the theory of
dhvani. But Abhinavagupta responds to it by co-opting large parts of it: rasa as a form of experience and not an aspect of a text, commonalization of textual elements, the clearing of "obscurations" that block aesthetic experience, the idea that aesthetic relishing bears resemblance to religious experience, etc.
Summary: 'Ishtehar', composed by Shamir Tandon with lyrics penned by Charanjeet Charan, is a duet also featuring
Dhvani Bhanushali
However, we expect flat margins in the near term due to rise in promotional expenses in non-south markets," says
Dhvani Bavishi, analyst, ICICIdirect.com.
(21) In the Sanskrit literary-theoretical tradition, gunibhuta-vyanga is a term used by Anandavardhan, the ninth-century philosopher and aesthetician, to refer to a class of kavya (literary, poetical compositions), where the literal or referential sense of a text is not subordinate to its implied meanings, i.e.,
dhvani.
And it maintains a
dhvani (evocative resonance) of such deep magnitude that the poetic self fades away alongside the ebbing sound of the swan wings.
Heavy debt Debt-heavy domestic retailers like Future Retail could be one of the "key beneficiaries" of these policies, as it would make it easier for them to seek overseas partners to trim their borrowings, said
Dhvani Modi, an analyst at brokerage ICICI Direct.
Lawrence focuses particularly on Abhinava's reformulations of Anandavardhana's theory of the suggestion (
dhvani) of aesthetic sentiments (rasa) by the formal structures of literature, and Bhatta Nayaka's conception of aesthetic sentiments as universalizations (sadharamkarana) of ordinary human emotions.