Dorothy Parker


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Parker, Dorothy

(Dorothy Rothschild Parker), 1893–1967, American short-story and verse writer, b. West End, N.J. While serving as drama critic for Vanity Fair (1916–17) and book critic for the New Yorker (1927), she gained an almost legendary reputation for her sardonic wit. Her first volume of poetry, Enough Rope (1926), brought her fame, and she followed it with such volumes as Death and Taxes (1931) and Not So Deep as a Well (1936). Although decidedly light and often flippant, Parker's satiric verse is carefully crafted and stunningly concise. Her short stories satirizing aspects of modern life are witty, wry, and often poignant. "Big Blond" is probably her best-known story. Collections of stories include Laments for the Living (1930) and Here Lies (1939). Her Collected Stories was published in 1942 and her Collected Poetry in 1944. She collaborated with Arnaud d'Usseau on the play Ladies of the Corridor (1953).

Bibliography

See biographies by J. Keats (1970) and M. Meade (1987); study by A. F. Kinney (1978).

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The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Parker, Dorothy

 

(pen name of Dorothy Rothschild). Born Aug. 22, 1893, in West End, N.J.; died June 7, 1967, in New York. American writer.

Parker presented a satiric portrait of bourgeois mores in her poetry (the collections Enough Rope, 1926, and Sunset Gun, 1928), as well as in her short stories (for example, the collections Laments for the Living, 1930, and After Such Pleasures, 1933). These works are permeated with contempt for the hypocrisy, banality, egoism, and mercenary quality of the bourgeois milieu. In the 1920’s and 1930’s, Parker took part in the progressive movement of American intellectuals; during the McCarthy period, she was persecuted.

WORKS

Constant Reader. New York, 1970.
The Collected Dorothy Parker. London, 1973.
In Russian translation:
Novelly. Moscow, 1959.

REFERENCES

Keats, J. You Might As Well Live. … New York, 1970.
The Great Soviet Encyclopedia, 3rd Edition (1970-1979). © 2010 The Gale Group, Inc. All rights reserved.

Parker, Dorothy (b. Rothschild)

(1893–1967) poet, writer; born in West End, N.J. She attended Catholic and private schools, then became an editor and writer for several periodicals in New York City, notably the New Yorker (1925–57). She was a member of the famous Algonquin Hotel Round Table luncheon group (1920s), and was known for her caustic wit. She moved to Hollywood, Calif., in the 1930s, wrote stage and screen plays, fiction, and poetry, and later returned to New York.
The Cambridge Dictionary of American Biography, by John S. Bowman. Copyright © Cambridge University Press 1995. Reproduced with permission.
References in periodicals archive ?
There is an insurance connection to Dorothy Parker:
In this book Cerasulo makes the case both for the significance of F Scott Fitzgerald's, Dorothy Parker's, Budd Schulberg's, and Nathanael West's contributions to Hollywood and for the film industry's reshaping of these writers' prose styles and understandings of writing as a profession.
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I was thrilled to find a piece on Dorothy Parker's work for the theatre in your April issue ("Close to Home").
"A Journey into Dorothy Parker's New York" is a focus on the woman herself, but a bigger focus on the city she lived in and its constant change through two world wars, a great depression, and so much more events.
(2) Ernest Hemingway's poem about Dorothy Parker, "To a Tragic Poetess--Nothing in her life became her like her almost leaving of it," is famous for its nastiness.
Once the toast of the New York intellectual scene, Dorothy Parker is remembered today primarily for a handful of witty epigrams and acerbic one-liners that have been quoted so frequently they have lost much of their sting.
The New York wit Dorothy Parker was so often credited for things she didn't actually say that the playwright George S.
In the words of the inimitable Dorothy Parker, "I may fwow up."
7 MURIEL SPARK My favorite writers are all women: Loos, Dorothy Parker, Lillian Ross, Patti Smith, Edith Sitwell, Louise Brooks, Queen Elizabeth I, Jacqueline Susann--and my fellow Scot, Muriel Spark.
The film also introduces four better-known women, the writers Virginia Cowles, Martha Gellhorn, Josephine Herbst, and Dorothy Parker. Gellhorn, an old friend of Eleanor Roosevelt's, wrote her begging for help.