e. e. cummings

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E. E. Cummings
Edward Estlin Cummings
Birthday
BirthplaceCambridge, Massachusetts
Died
NationalityAmerican
Known for Poems, plays and other works of art

Cummings, E. E.

(Edward Estlin Cummings), 1894–1962, American poet, b. Cambridge, Mass., grad. Harvard, 1915. His poetry, noted for its eccentricities of typography (notably the lack of capitalization), language, and punctuation, usually seeks to convey a joyful, living awareness of sex and love. Among his 15 volumes are Tulips and Chimneys (1923), his first collection, Is 5 (1926), and 95 Poems (1958). A prose account of his war internment in France, The Enormous Room (1922), is considered one of the finest books written about World War I. Cummings was also an accomplished artist whose paintings and drawings were exhibited in several one-man shows.

Bibliography

See his Complete Poems, 1913–1962 (2 vol., 1972; rev. ed. 2013); biographies by R. S. Kennedy (1980), C. Sawyer-Lauçcanno (2004), and S. Cheever (2014); N. Friedman, Cummings: The Growth of a Writer (1980); J. A. Rosenblitt, The Beauty of Living: E. E. Cummings in the Great War (2020).

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cummings, e. e. (Edward Estlin)

(1894–1962) poet, writer, painter; born in Cambridge, Mass. He studied at Harvard (B.A. 1915; M.A. 1916). As a volunteer ambulance driver in World War I, he got in trouble with the French who kept him in a detention camp for six months; he described the experience in The Enormous Room (1922). He traveled widely but was based in New York City. He is known for his idiosyncratic and typographically inventive poetry, such as Tulips and Chimneys (1937, complete edition). He wrote various works for the stage and was an accomplished painter.
The Cambridge Dictionary of American Biography, by John S. Bowman. Copyright © Cambridge University Press 1995. Reproduced with permission.
References in periodicals archive ?
Firmage, E.E. Cummings, Complete Poems 1904-1962 (New York: Liveright, 1991).
Only once did I lay eyes on E.E. CUMMINGS. (People are cute and write e.e.
There were hints of a Greek temple in the outdoor setting; the ceremony was a mashup of poems, a little Neruda, a dash of e.e. cummings, some Greeks, some other stuff, perhaps from mid-70s rock songs, while a band improvised between Nick Cave and the Velvet Underground.
I Carry Your Heart With Me interprets E.E. Cummings' poem and pairs it with warm pictures in the story of how a mother introduces her child to the natural world and her own love.
There was a consistently somber tone to these songs, even Gwyneth Walker's rendition of e.e. cummings' slyly humorous poem, "White Horses.'' Only in Olga Rogach's always adroit piano accompaniment throughout the song cycle, and in the Singers' lilting version of Ellington's "Mood Indigo'' were there hints of the spectacular, wild dynamics Halliday, Hatch and Falco would unleash in Todd's "Mass in Blue.''
Cranson's and Robert Zeller's edited collection entitled The Littoral Zone: Australian Contexts and Their Writer (2007), Fiona Beckett's and Terry Gifford's edited collection Creativity, and Environment: New Environmentalist Criticism (2007), John Parham's Green Man Hopkins: Poetry and the Victorian Ecological Imagination (2010), David Ingram's The Jukebox in the Garden: Ecocriticism and American Popular Music Since 1960 (2010), Etienne Terblanche's e.e. cummings: Poetry and Ecology (2012), Roman Bartosch's Environ-Mentality: Ecocriticism and the Event of Postcolonial Fiction (2013), and Kadri Tuur's and Morten Tonnessen's The Semiotics of Animal Representations (2014).
E.E. Cummings: A Life is a 'must' for any literature reader already enthused about Cummings' works, who wants further information on the controversial poet whose works were influenced by a New England 19th century childhood, a love of nature, and a Harvard education.
Nor is it the authorized version that Charles Norman provided in his 1958 E.E. Cummings: The Magic Maker.
Keywords: Literary stylistics; cognitive poetics; e.e. cummings; humanity I love you.
German composer Christian Jost has drawn on the rhythms of tai chi and the interplay of Eastern percussion and Western vocals to construct a dialogue between the love poetry of ancient (:him and E.E. Cummings. (April 2 5; www.rundfunkchor-berlin.de)
Past readers include none other than e.e. cummings, Truman Capote and Arthur Miller.