Eclogues


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Eclogues

short pieces by Roman poet Vergil with pastoral setting. [Rom. Lit.: Benét, 1053]
References in periodicals archive ?
The theme of revenge pervades the West Indian Eclogues, but it plays a central role in the fourth and final eclogue.
Fraunce could have found inspiration in Ramus's anthology of the Pleiade poets in the French Dialectique (1555), or in his logico-rhetorical commentary on Virgil's ten eclogues in the Bucolica, praelectionibus exposita (1555).
The third Eclogue could easily be related to the concept of a modern-day 'rap-battle'.
In beginning to examine the parallels between the Mosella and Garcilaso's eclogues, one must say that they share an overwhelmingly pastoral atmosphere (10).
While the poem does remain somewhat derivative of the Marotic Gallic style in both form and content, Sceve's innovations with regard to certain basic literary elements as well as his negotiation of bucolic models from the Latin tradition (specifically, Sannazaro) help separate his pastoral from Marot's first two eclogues and align it more germanely with his own (Petrarchan) poetic enterprise in 1536, thus making the case that Arion merits careful reconsideration.
We see, however, that the eclogue's tone and focus change with the arrival of the second shepherd, Mateo.
(2) Later, when discussing Virgil's reception in Renaissance literature, Smith identifies obvious candidates such as Sannazaro and Vida, but omits another important Renaissance poet, Baptista Mantuanus, who composed his own Eclogues and Christian epyllia, the Parthenices, in imitation of Virgil.
Eclogues II, VII and the Helicon--The Collage Cycle
Studies in the structure of the Eclogues have been periodically popular, but since the publication of Van Sickle's The Design of Vergil's 'Bucolics' in 1978, very little has been published on the subject.
Pushkin is recalling the Eclogues, particularly Virgil's trope of the responsive landscape (cf.
This article nuances Ross's broad claim for Linus's metapoetic function in the Eclogues to offer the specific suggestion that Vergil discovered in Linus a character whose diverse literary genealogy permitted him to explore the complex interplay of writing and singing in poetic composition.
NOTE: The last two lines of this poem come from Virgil's Eclogue