The rhizomatic structure of The Tropics Bite Back is very much indebted to Edouard Glissant
, whose theoretical frameworks were center-stage in Loichot's previous monograph, Orphan Narratives: The Postplantation Literature of Faulkner, Glissant, Morrison, and Saint-John Perse (2007).
In his 2009 book Philosophie de la relation, the late philosopher Edouard Glissant
defines lieux-communs as those sites where such new meanings emerge to be relayed around the world.
Bring them all together and you're likely to produce a planetary stew of the "world-totality" kind, as Edouard Glissant
might envision it.
Drawing on black-and--white photography scholarship, and scholars of the African diaspora, from Edouard Glissant
to Bayo Holsey, Tillet argues that while the photographs and film stand for an imaginary unity between Africa and America, the legacy of slave forts serves as a reminder of lost histories and the "missing voices of those enslaved, dead, and forgotten throughout the entire diaspora" (108).
He cites other influences on his imagination, including Michel Tournier's Vendredi ou les limbes du Pacifique (1967) as well as Derek Walcott, Edouard Glissant
, and even Pascal.
In the same way, identity cannot be conceived of as exclusion of, but rather in relation to, the Other as Edouard Glissant
postulates for Caribbean culture, which is a far cry from Hegelian dialectics.
Upon first meeting Fanon in Paris in 1946, Edouard Glissant
described his fellow Martinican as "extremely sensitive.
Geboren in 1928 in Martinique, socioloog en historicus, dichter en filosoof, dramaturg en auteur Edouard Glissant
te Parijs overleed op 3 februari 2011 na een gevulde carriere als postkoloniaal denker.
The book's concluding section, 'Sartre and the Postcolonial Turn', begins with an interesting essay by Richard Watts, 'Difference/Indifference', which compares the preface writing of Sartre with that of Edouard Glissant
Essa historia de mesticagens, de inovacao e de crioulizacao no sentido entendido por Edouard Glissant
(3) indica, no minimo, que a generalizacao de certos fenomenos, entre os quais os fenomenos musicais, em todo o planeta, esta ligada a sistemas de dominacao e as estrategias inseparaveis de resistencia, de acomodacao e de poder que esses fenomenos provocaram e continuam a provocar.
Le philosophe et ecrivain Edouard Glissant
(6) definit la mondialite comme la quantite infinie et la realisation de l'infini detail du reel.
This is largely done by drawing on the theories of Edouard Glissant
, which identify creolization as an interpretative lens that increases one's understanding of the natural multicultural condition.