Eisenstein


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Eisenstein

Sergei Mikhailovich . 1898--1948, Soviet film director. His films include Battleship Potemkin (1925), Alexander Nevsky (1938), and Ivan the Terrible (1944)
Collins Discovery Encyclopedia, 1st edition © HarperCollins Publishers 2005
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He also worked closely with the two most prominent revolutionary theatre directors, Vsevolod Meyerhold and Sergei Eisenstein. He created a series of sharp, agitational pieces for both these directors, but in 1924 he returned to China for eighteen months as Professor of Russian Literature at the University of Beijing.
They drink champagne, but the prison governor, Herr Frank, arrives on the scene and arrests Alfred thinking that he is Eisenstein.
E mais adiante, Eisenstein afirma: "Griffith chegou a montagem atraves do metodo da acao paralela, e foi levado a ideia da acao paralela por--Dickens!" (p.
Born this day in 1898, Sergei Eisenstein (Sergei Mikhailovich Eizenshtein) was a pioneer in the theory and practice of montage in film making- the technique of editing a fast-paced sequence of short shots to transcend time or suggest thematic juxtapositions.
Kleiman's deeply informed and ambitiously detailed account reaches a clear conclusion: The images Eisenstein obsessively drew (mostly in black graphite with occasional accents in colored pencils) constitute, alongside his films and writings, a third major dimension of his three-decade-long artistic career.
Our first view of Sigismund displays him lounging rakishly on his throne, a campy travesty of power that recalls images from earlier in Ivan the Terrible as well as Eisenstein's 1928 film, October (Fig.
D'embl?e, il faudrait signaler que, dans la conception d'Eisenstein, de Vertov, de Brecht, l'art n'est jamais au service du pouvoir ou de la r?volution (financiers, politiques, id?ologiques), il est lui-m?me pouvoir ?
"You can meet a lot of people in prison," says Eisenstein, "bankers, politicians...
Faremos, portanto, uma revisao teorica do uso do termo "contraponto" e outros correlatos que aparecem em textos da epoca de Eisenstein, como "assincronismo" e "polifonia", alem da mudanca nos escritos posteriores do proprio Eisenstein, em direcao a busca de uma "correspondencia" entre as artes.