Elena Kuzmina

The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Kuz’mina, Elena Aleksandrovna


Born Feb. 4 (17), 1909, in Tbilisi. Soviet motion-picture actress; People’s Artist of the RSFSR (1950).

Kuz’mina graduated in 1930 from the Factory of the Slapstick Actor, a Leningrad cinema school later reorganized into the Institute of Stage Arts. She made her film debut as the Communard Louise in The New Babylon (1929). She next appeared as the schoolteacher in Alone (1931). A good character actress, Kuz’mina often created subtle psychological portraits.

Her best roles were in motion pictures directed by M. I. Romm—for example, Anna in The Dream (1943), Tania in Prisoner No. 217 (1945), Jessy in The Russian Question (1948), and the Soviet intelligence officer Maria-Marta in Secret Mission (1950). She played lyrical and comedy roles in the films of other directors: Man’ka in Outskirts (1933), Masha in By the Bluest of Seas (1936), and Mariia Konstantinovna in an adaptation of Chekhov’s The Duel (1961). She was awarded the State Prize of the USSR in 1946, 1948, and 1951.


Khaniutin, Iu. “Elena Kuz’mina.” In the collection Aktery sovetskogo kino. Moscow, 1964.
The Great Soviet Encyclopedia, 3rd Edition (1970-1979). © 2010 The Gale Group, Inc. All rights reserved.
References in periodicals archive ?
The book under review summarises the results of many years' work by Elena Kuzmina, the eminent Russian archaeologist who has devoted her life to the study of Eurasian cultures and the origins of the Indo-Iranians.
Their histrionics, straight out of the 1940s, are mitigated by their sincerity and absolute commitment to the material, As Spessivtseva (or the "Ballerina," as she is called in the program), Elena Kuzmina plays the mad scenes with searing pathos and the love scenes with great rushes of passion; she has a gift for the grand gesture, for the sweep of a skirt or the billow of a scarf, for heightening the theatricality of even trivial events.