Elizabeth Barrett Browning

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Browning, Elizabeth Barrett,

1806–61, English poet, b. Durham. A delicate and precocious child, she spent a great part of her early life in a state of semi-invalidism. She read voraciously—philosophy, history, literature—and she wrote verse. In 1838 the Barrett family moved to 50 Wimpole St., London. Six years later Elizabeth published Poems, which brought her immediate fame. The volume was a favorite of the poet Robert Browning, and he began to correspond with her. The two fell in love, but their courtship was secret because of the opposition of Elizabeth's tyrannical father. They married in 1846 and traveled to Italy, where most of their married life was spent and where their one son was born. Mrs. Browning threw herself into the cause of Italian liberation from Austria. "Casa Guidi," their home in Florence, is preserved as a memorial. Happy in her marriage, Mrs. Browning recovered her health in Italy, and her work as a poet gained in strength and significance. Her greatest poetry, Sonnets from the Portuguese (1850), was inspired by her own love story. Casa Guidi Windows (1851), on Italian liberty, and Aurora Leigh (1857), a novel in verse, followed. During her lifetime Mrs. Browning was considered a better poet than her husband. Today her life and personality excite more interest than her work. Although as a poet she has been criticized for diffuseness, pedantry, and sentimentality, she reveals in such poems as "The Cry of the Children" and some of the Sonnets from the Portuguese a highly individual gift for lyric poetry.

Bibliography

See The Letters of Robert Browning and Elizabeth Barrett Browning, 1845–46 (1899, new ed. 1930); R. Besier, The Barretts of Wimpole Street (1930), the most popular dramatization of the Brownings' love story; biographies by G. B. Taplin (1957), I. C. Clarke (1929, repr. 1970), and M. Forster (1989); The Courtship of Elizabeth Barrett and Robert Browning (1985) by D. Karlin; studies by H. Cooper (1988) and G. Stephenson (1989); bibliography by W. Barnes (1967).

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The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Browning, Elizabeth Barrett

 

(Moulton Barrett). Born Mar. 6, 1806, in Durham; died June 30, 1861, in Florence. English poet. Daughter of a West Indian planter and wife of the poet R. Browning.

Browning’s first work was the narrative poem The Battle of Marathon (1820). A collection of poems (vols. 1-2) was published in 1844; it included the poem, “The Cry of the Children,” which was translated into Russian several times and served as the basis for the work by N. A. Nekrasov of the same name. The theme of the poem is the backbreaking labor of children in capitalist factories. A subtle artist in the use of intimate lyrics, Browning also wrote poems with social themes, such as the poems Casa Guidi Windows (1851) and “Songs to the Congress” (1860), in which impressions of the Italian revolution of 1848 are reflected. Her novel in verse, Aurora Leigh (1857), was devoted to the theme of women’s equality.

WORKS

Complete Poetical Works, vols. 1-2. New York, 1919.
The Letters, vols. 1-2. Edited by F. G. Kenyon. [London], 1897.

REFERENCES

Iakovlev, N. “Nekrasov i Barret Brauning (’Plach detei’).” Kniga i revoliutsiia, 1921, no. 2.
Taplin, G. B. The Life of Elizabeth Barrett Browning. New Haven, 1957.
The Great Soviet Encyclopedia, 3rd Edition (1970-1979). © 2010 The Gale Group, Inc. All rights reserved.
References in periodicals archive ?
"Elizabeth Barrett Browning was one of Victorian England's most popular poets," said Mr Robertson.
This publication of Elizabeth Barrett Browning's "Catarina to Camoens" now takes precedence over the poem's publication in Mario de Almeida's 1919 thesis presented in Coimbra, which students of Pessoa have long accepted as its first appearance in print.
(13) Elizabeth Barrett to Hugh Boyd, 1842, BC, 6:171.
The Bronte verses followed an understandable path through graveyards of snow, with light flickering fitfully on the flights of the soul, while Elizabeth Barrett Browning's unfamiliar translations proved to be marvellous things read with delicacy and grac e by Ms Jefford.
In "Telling it Slant: Promethean, Whig, and Dissenting Politics in Elizabeth Barrett's Poetry of the 1830s," the first essay in the issue, Simon Avery aptly observes that "we are now coming to recognize" EBB's writing "as important for our understanding of areas as diverse as the experiences of the nineteenth-century woman writer, developments in Romantic and Victorian poetic aesthetics, and the construction of the nineteenth-century vates figure.
The address 50 Wimpole Street, London, is synonymous with both the semiseclusion of the gifted poet Elizabeth Barrett and with the romantic story of the love between Barrett and Robert Browning.
Some striking contributions appeared in the magazine, among them Hawthorne's The Birthmark and The Hall of Fantasy, Poe's The Tell-Tale Heart and Notes Upon English Verse, and much excellent poetry by Whittier, Elizabeth Barrett, and others.
Elizabeth Barrett Browning arrived late to the party.
BORN ELIZABETH Barrett Browning, poet, 1806, MICHELANGELO, painter, 1847 KIRI Te Kanawa, opera singer, 1944, above DIED IVOR Novello, composer, 1951, above DAVY Crockett, US folk hero, 1836 LOUISA May Alcott, writer, 1888
Religious imaginaries; the liturgical and poetic practices of Elizabeth Barrett Browning, Christina Rossetti, and Adelaide Procter.
Inspired by writers Elizabeth Barrett Browning, Mary Shelley and Sappho - with a nod to screen icon Elizabeth Taylor - Marguerite Donlon's Labyrinth of Love reflects the emotions associated with the heart, set to a score by Michael Daugherty and sang live by soprano Sarah Gabriel.