Bonnie Nelson has also highlighted links between Emily Herbert, an epistolary novel attributed to Elizabeth Inchbald
, and Lady Susan, drawing attention to the similarities between Austen's Lady Susan and Inchbald's Lady Stanley (318).
In recent decades, Elizabeth Inchbald
has emerged as one of the Romantic period's most diverse and influential female figures, and the publication of Ben P.
Recently, there have been some sympathetic and perceptive portrayals of Harris--most notably during his brief appearances in Annibel Jenkins's Life of Elizabeth Inchbald
(2003), Andrew McConnell Stott's The Pantomime Life of Joseph Grimaldi (2009), and an article for Theatre Notebook (2009) by Judith Milhous and Robert D.
Conway ends, slightly puzzlingly, with a trio of self-fashioning women on page and canvas--Angelica Kauffmann, Mary Wollstonecraft, and Elizabeth Inchbald
Norton seizes on this to back his thesis that Ann Radcliffe played a leading role in the emergent circle of woman writers like Mary Wollstonecraft, Mary Hays, Elizabeth Inchbald
and Anna Barbauld, whose beliefs are the bedrock of 20th century feminism.
Playwrights such as Joanna Baillie, Mary Russell Mitford, Elizabeth Inchbald
, Hannah Crowley, Hannah More and others are treated, along with actress/managers Sarah Siddons and Elizabeth Vestris.
How much did Jane Austen know about fellow writer Elizabeth Inchbald
and her play I'll Tell You What?
Perhaps most distinctive here is the political seriousness O'Quinn accords to the drama of Elizabeth Inchbald
and the diary of Frances Burney.
In three essays on Elizabeth Inchbald
, Frances Burney and Jane Austen, she ably applies her theories about performance in terms of emotion, femininity and perception, respectively.
Though Richard Brinsley Sheridan, David Garrick, Isaac Bickerstaff, and the sensational German import, August von Kotzebue are identified as important sources for Austen, Gay argues persuasively for the seminal role of women playwrights from Susannah Centlivre at the beginning of the century to Frances Sheridan, Hannah Cowley, and Elizabeth Inchbald
(who also adapted Kotzebue) at the end.
While such critical work was almost never likely to yield lasting fame for its author, it would be worth exploring further the confident critical persona Barbauld developed for her judgments on the work of Richardson and other novelists and the similar persona Elizabeth Inchbald
developed for her comparable work for British Drama.
Many novelists, such as Elizabeth Inchbald
and Anne Radcliffe, for example, also explored female virtue.