Ernst Krenek


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Křenek, Ernst

 

Born Aug. 23, 1900, in Vienna. Austrian composer.

Křenek studied with F. Schreker, first at the Vienna Academy of Music and then at the Berlin Higher School of Music. During 1928–37 he lived mainly in Vienna; in 1938 he moved to the USA.

Křenek’s fame developed in the mid-1920’s, with the production of the operas Der Sprung Über Den Schatten (1924) and Jonny Spielt Auf (1927), both of which were also staged in the USSR. He evolved from the late romantic style, through an infatuation with urbanism and constructivism, to a mastery of dodecaphony. He became an active propagandist of dodecaphony. Křenek’s first important dodecaphonic work was the opera Karl V (produced in 1938). He wrote 15 operas, five symphonies, and other works in many genres. He is a music theorist and critic and has lectured at US universities.

REFERENCES

Glebov, Igor’ (Asaf ’ev, B. V.). “Kshenek i Berg, kak opernye kompository.” Sovremennaia muzyka, 1926, nos. 17–18.
Ernst Kshenek i ego opera “Dzh’onni naigryvaet.” [Moscow, 1929.]
References in periodicals archive ?
Their Summer Serenade will feature the 'Quartet for Strings and Piano' by Ludwig van Beethoven and string quartets by Ernst Krenek, Hugo Wolf and Franz Schubert.
Similarly, Ambur Braid's thrilling 2016 performances of the Queen of the Night in Oper Frankfurt's The Magic Flute--a long-time signature role of the Canadian dramatic coloratura--secured her invitations back to the company for Ernst Krenek's demanding Dasgeheime Konigreich in 2017.
We all know music we find aesthetically distasteful, be it rock, opera, country, Ernst Krenek, or Andrew Lloyd Webber.
One of the best features of the book is the narration of Schnabel's interactions with some of the leading musical figures of the century, including conversations with Arnold Schoenberg, Erich Korngold, Sir Thomas Beecham, Ernst Krenek, Wilhelm Furtwangler, Leonard Bernstein, and Yehudi Menuhin, as well as an entertaining description of an evening at Alma Mahler's house in Los Angeles.
Classical Krenek Korzhev/English Symphony Orchestra IN his long life Ernst Krenek (1900-1991) followed almost every compositional trend: neo-classicism, jazz, atonal, 12-tone, modal, electronic and aleatoric (formal composition with elements of chance).
Dentro de este llamado "serialismo", a diferencia del dodecafonismo schonberiano, no solo se limito a aplicar el termino de "serie" en el terreno de las notas, sino de igual modo a otras variables del sonido, a decir, el ritmo, la dinamica, el ataque; con ello daria lugar al llamado "serialismo integral", corriente estetica dentro la cual fue uno de sus principales representantes, al lado de otros compositores como Luigi Nono, Milton Babbitt, Karlheinz Stockhausen, Ernst Krenek o el propio Messiaen, si bien su maestro nunca se adhirio definitivamente a ella.
The Bolshoi Theatre put a special emphasis on the scores published by Universal Edition in the 1920s, when a few productions of such modern composers as Richard Strauss, Ernst Krenek, and Franz Schreker were staged.
Topics include 19th-century German discourses on race and blackness in philosophy and science, encounters with Germany by figures of the Harlem Renaissance, the influence of German portraitists on the aesthetics of Alain Locke, the place of Ernst Krenek's "jazz opera" Jonny spielt auf in conflicting German discourses of race and Americanism, German debates over the adoption of a jazz program at Frankfurt's Hoch Conservatory, Luis Trenker's Der verlorene Sohn as a paradigmatic text in the construction of Germanness as white, John A Williams' Clifford's Blues as an African American Holocaust novel and "postmodern (re)writing of chattel slavery in a European context," and cinematic discourses of race and reconstruction in D.W.
The UO oboe studio will play works by Maurice Ravel, Ludwig van Beethoven, Schumann, Ernst Krenek, Richard Strauss, Paul Hindemith, Andre Previn and others.
Tango even infiltrated the music of four classically trained composers: Erik Satie Darius Milhaud William Walton and Ernst Krenek.
Monday's Hall One concert, conducted by Thomas Zehetmair, opens at 7.30pm with the moving Symphonic Elegy by Austrian-born composer Ernst Krenek, written in memory of his friend Anton Webern, and concludes with the stirring First Symphony by Brahms.
The programme will include pieces by Rachmaninov and by Prokofiev as well as work by Jonathan Harvey by Jo Kendo and by Ernst Krenek.